Backstory

What is ‘Land’ about?

Originally published on my ko-fi page as subscriber-only post on August 27

I was talking to a fellow author, Tessa Hastjartanto today, when it struck me. Children is the question; Land is the answer.

My cPTSD therapy has ended three weeks ago. Since then, I have been doing things that have been nowhere near my reach (“comfort zone” LOLOLOL) for, often, six years. Today, for instance, I went out to lunch with Tessa, unaccompanied, at an actual cafe, and it was our first ever 3D meeting. So, technically she also counted as semi-stranger. If you look at me, you probably don’t see someone who hasn’t been able to enter a supermarket for five years.

Children has been my subconscious writing down, in great detail, the memories I have repressed. (You don’t know when you repress your memories, thought I’d mention that. Repressed memories are repressed.) I used to laugh when people told me it was so dark, because I was aware it was very autobiographical. Land is less dark, or rather less often/continuously dark, but I also have all those memories back. Which is why Children took me 29 almost complete rewrites, and Land is on draft 14 – if you exclude the drafts written 4/3/2 years ago when my brain suddenly had a word vomit, it’s actually on its sixth. And as my editor told me, the differences between 5th and 6th (green vs red on the graph) are mostly words or phrases. [In the meantime, the book has been finished and sent to the proofreader – BL]

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Just the one, dear

This post originally appeared on my ko-fi on May 25

Since 2022, May has always been my worst month, sales-wise. (I know that’s a grand total of two Mays, but 2020-2021 were great years for indie authors.) May 2024 is my actual worst month ever*. It’s May 17th as I am writing this. I have, so far, sold one book – a single copy of Storytellers. If not for my Ko‑fi supporters (thank you SO much!) my writing-related income this month would be €3.32. I spend €9.99 a month on the aggregate app that allows me to see how much I’ve earned (or not) for tax purposes.

I’m not depressed about this – in April I sold 51 books (half of them in 0.99 sales – still). This isn’t a post about the costs of publishing a book either, that’s coming one day in the future. What happened was that I had to ask myself a question: why should I keep writing?

*this puzzle is solved at the end of the post

 

Money?

I generally don’t give young authors advice, but here’s one bit: if you want to become rich by writing books, playing the lottery is a more sensible thing to do. Your chances are about the same and you won’t have to deal with rejections and one-star reviews.

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Why Bjørn Doesn’t Write to Deadlines

This post originally appeared on my ko-fi blog, available for my supporters – thank you!

After I finished Storytellers, I started working on a disastrous book called The Age of Fire. Luckily I realised in time that not everything I wrote was genius just because it came from my brilliant mind, and shelved the thing. It featured a woman called Maya, though. Maya dressed only in black, had messy, mid-length hair, and liked silver bracelets.

When I started on Children, it had a different title, and was supposed to be Magni’s book, until Maya found out and announced she wasn’t just moving in, but would have half of it for herself, thanks.

This is how I write. [“I” – Ed.]

Children

By now, as in 2023, I sometimes get a say regarding what happens in my books. When I was working on Children, which received 29 rewrites until it became the version it is, I was not blessed with the ability to negotiate yet. I would write something, Magni would take a look, and announce “I’d never do this.” When I inquired, he’d shrug and say “you’re the author, you figure it out.”

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Where is Land?

The sequel to Children is called Land. The book explains why the series is called The Ten Worlds, since our heroines and heroes travel from the Nine Worlds Universe to Iceland (where else?) and some of the survivors make it back. It’s going to be cinematic. Epic, actually. There’s everlasting love, but no romance; exploration of consent and abuse in uneven relationships; there’s Iceland and the Hidden Folk. Questions asked in Children are answered, riddles solved. Aha, Land also doesn’t exist, even though I officially announced it, somewhat optimistically, as a 2021 release.

It’s a grown up book. I had to grow up first.

 

Mel

The first sign that I wasn’t ready was deciding to send an outline to a sensitivity reader (let’s call them Mel), because I wanted to make sure I’m doing the right thing. Some of my new characters are Black-coded – dark elves. One of the reasons is that I want to make Norse fantasy less white. I worried… nah, I was terrified that I was just wasting time. That I wasn’t doing it right.

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#poormythology: Creation

I’ve had a few people tell me they see me as an expert on everything Norse. A few others remarked they’d probably get more out of Why Odin Drinks if they knew more about the “real” mythology. Eeep! Don’t try this at home! Do you know how much stuff I totally destroyed to make up my own stuff?! You don’t, so I’ll tell you. Buckle up.

 

Origins

It took over 200 years from Iceland’s christianisation before Snorri Sturluson got to writing Poetic Edda and Prose Edda. Have you ever played the telephone game? Imagine doing that for 200 years, writing down the results, and announcing this is exactly right. Except you might also get executed if you sound too excited about it.

The mythology (I recommend Kevin Crossley-Holland’s book The Penguin Book of Norse Myths) contradicts itself. It already contradicts itself in the first paragraph of the creation myth! Sometimes, myth A must happen before myth B, and vice versa. Some parts of the myths and Sagas have only survived partially. Some are hotly disputed, often depending on people’s agendas. (Crossley-Holland has his own, but he’s clear about it and lists other possible interpretations.)

I play fast and loose with what I know, which often isn’t all that much. I’m writing satire based on Norse mythology. I make up complete stories because there’s one sentence in the Eddas that inspires me. I create my own canon. If I say Baldr is Frigg’s favourite horse, he can’t turn out to be her son five books from now. That’s what limits me. Snorri’s versions are only a starting point.

Here’s the “original” myth of creation.

 

In the beginning there was Surtr

Here is how life began: the flames of Müspelheim and the ice of Niflheim met in a void called the Ginnungagap, creating steam, from which came a giant called Ymir.

Except Surtr, the God of fire, was already in Müspelheim before this happened, very much alive and ready to destroy the Universe that doesn’t exist at this point.

So, back to Ymir. He is a giant. Hard to say compared to whom. Possibly Surtr, although I don’t think so. Also, names already exist. When Ymir goes to sleep – it is not clear where; in the void, I assume – his armpits begin to sweat. This ooze creates the first man and first woman. (Gross.) His leg fathers a son on the other leg. (This is neither how legs or fathering work, but ‘k.) As the ice continues to melt, the fluids take the form of a cow, named Audhumla.

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Be Aware! Autism!

April is Autism Awareness Month.

 

Remember to be unaware of autism between 1 May and 31 March!

 

Some activists are trying to change the narrative to “autism acceptance month.” I can’t say I disagree, because yes, I am “aware” of autism. I am also aware of rabid dogs, my allergy to orange peel, and of the slugs in our garden. I’d argue, however, that “autism,” as in the word itself, is already widely accepted. Autistic people, not so much.

Among many other fun things, about which I’ll write some other time, autism is a communication disorder.

#ActuallyAutistic people are only acceptable to most neurotypicals (NTs) when our lives are either a motivational “success” story or a tragedy.

 

Autism is accepted when it’s either undetectable or crippling

We don’t understand and we don’t know what we’ve done or what you mean. When we ask questions, we do so to learn how to make you more comfortable. We adapt our behaviour and reshape ourselves based on this feedback. This costs us a lot of energy and destroys our sense of self. If you don’t tell us what you want us to be, we won’t know. We won’t earn the “you don’t look autistic” prize. (I told Husby that the next time we hear this he should say “Bjørn, please perform An Autism for the lady.”)

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Non-Starred Review, or Where Is My Integrity

 

A while ago I decided to stop giving star ratings to books I am reviewing, unless the book is fantastic, 100% worthy of a five-star score, and I had nothing to do with it.

Before I begin: the examples below are all composites, unless I name them.

*****

A few years ago I have read a book that was objectively bad. The heroine’s job, which was so important she met a Scottish farmer at a related conference – the reason why he attended it was unclear – disappeared once she moved into his farm. She didn’t quit the (freelance) job, it just never made an appearance again. The evil ex seemed to pop up when the author remembered she needed to exist, so that the book could be marketed at certain audience.

I loved that book. I thought I wanted to read a Scotsman rom-com. It turned out that I wanted to read exactly what the author has written: a love letter to farming, and not a romanticised one either. It would have been much better, had it not been billed as a rom-com to make marketing department’s job easier.

The writing/editing would earn it two stars if I were in generous mood. And I was! I five-starred it because of how happy it made me. It took me a while to realise that was the same score I have given to the best book I have read in my life, The Hours by Michael Cunningham.

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Why Bjørn Writes

My upcoming book, Why Odin Drinks – a collection of four novellas, including Creation – is what would happen if Terry Pratchett, Douglas Adams, and Hobbes – of the Calvin and Hobbes fame – decided to tackle Norse mythology. It’s sometimes bittersweet, because Pratchett; absurd, because Adams; and thoughtful, because Calvin and Hobbes. I aimed at writing a book that could be read on various levels – from cackling at peeing dispensers and Odin’s masculine wiles to contemplating various facets of the human condition.

Then reality went and up-ended my proportions somewhat.

Out of the four novellas, Creation is about life; Loki Runes Everything – about control; Fashionteller – about consequences of knowing too much about the future. The last story, The Well of Wise Dom takes a look at greed. What happens when you understand too much, know too much, predict too much, try to control the outcome, change the inevitable? This is what happens, apparently:

“All-Father…”
Odin smirked, the wrinkles around his lips deepening. “I was too stupid to know that I was right. You need to start wars to end them. Sacrifice lives to save them.”
“This isn’t…”
“Frigg will tell me what I need to know,” Odin said coldly. The knuckles of his bony hand, gripping the staff firmly, whitened. “The only way to stop a great army is to have an even greater army. I will know what and when to expect. I will be there.”
[…] “That can’t happen!” Mímir erupted. “When you stir wars, they’ll lead to bigger wars. The more deadly weapons one side uses, the worse the other will invent.”
“Exactly,” Odin nodded. “I’ll lead the leaders. I’ll outwit the wittiest. And I’ll always have the best, the strongest, the hardest.”

Three days after I sent the final version of the book for proofreading, Russia invaded Ukraine.

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Blog Tag: Indie Author

 

A blog tag means multiple bloggers writing about the same subject, tagging others to continue. I’m months late (see the previous post for the reason) and never take part in blog tags (because I am always months late even without burnouts). This is a topic dear to me, though: why I decided to go the indie route. I was tagged by Raina Nightingale and the original idea came from Indie Author Blog Tag by R.M Archer.

 

Why do you publish Indie?

I’ve spent 26 months writing what eventually became Storytellers. In the first year or so it didn’t occur to me to even think of any option other than the agent-editor-publisher system; I wasn’t aware that self-publishing progressed past dinosaur erotica, to be honest.

I’ve spent most of 2018 researching the legacy (“traditional”) publishing vs indie, and the more I learned, the less excited I was about it. Like many aspiring authors, I thought that I’d get a marketing team to sell my books while I sat in my cabin in the woods, Creating Art. Unfortunately, this is not how reality works. First, debuts don’t get marketing budgets – the publisher will pick 1-2 books per season to give them that push. Those will be the stellar (or not) debuts you read about in the papers. But the same publisher actually puts out 400 new books (random number, not far from the truth, though) during those few months. Those authors rarely see money other than the advance – and in 2020 “zero advances” became a thing that means exactly what it says.

Yes, the “real” books are the ones that will make it to “Guardian’s Top 20 Most Anticipated Novels of 2022” – which won’t list a single indie. (My bet is that this will change within five years.) But top 20 only fits 20 books and most publications tend to list the same 20 books, just in different order. Those are the books that have enough of marketing budgets for the interns to send review copies around. (Did you know that when an author gets a traditional deal the interns might send review copies?)

I don’t have this sort of validation, but I have control.

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