What is ‘Land’ about?
Originally published on my ko-fi page as subscriber-only post on August 27
I was talking to a fellow author, Tessa Hastjartanto today, when it struck me. Children is the question; Land is the answer.
My cPTSD therapy has ended three weeks ago. Since then, I have been doing things that have been nowhere near my reach (“comfort zone” LOLOLOL) for, often, six years. Today, for instance, I went out to lunch with Tessa, unaccompanied, at an actual cafe, and it was our first ever 3D meeting. So, technically she also counted as semi-stranger. If you look at me, you probably don’t see someone who hasn’t been able to enter a supermarket for five years.
Children has been my subconscious writing down, in great detail, the memories I have repressed. (You don’t know when you repress your memories, thought I’d mention that. Repressed memories are repressed.) I used to laugh when people told me it was so dark, because I was aware it was very autobiographical. Land is less dark, or rather less often/continuously dark, but I also have all those memories back. Which is why Children took me 29 almost complete rewrites, and Land is on draft 14 – if you exclude the drafts written 4/3/2 years ago when my brain suddenly had a word vomit, it’s actually on its sixth. And as my editor told me, the differences between 5th and 6th (green vs red on the graph) are mostly words or phrases. [In the meantime, the book has been finished and sent to the proofreader – BL]
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First things first: the blog tour organised by Rachel’s Random Resources is now over, it went swimmingly, and I recommend Rachel’s services to everyone who needs to get thoroughly blog toured. Thanks so much to everyone involved for giving me your time and space on your blogs!
The lead protagonist of my novel Storytellers, a blacksmith called Gunnar, suffers from depression, social anxiety, and possibly a form of PTSD. Today we would be able to steer him gently towards a medical professional of some sort – that is, if he managed to break through the internalised stigma of having to be a Strong Man Who Needs No Help Ever. But Gunnar was born in 1888, the novel takes place in 1920, and all he knows about his condition is that 1) it makes him “not normal” and 2) he can never, ever tell anybody about it.

