bjornlarssen

How I learned to stop being judgy and love Outlander

Confession: I have a Scottish fetish. To be more precise, it’s Scottish accent/dialect fetish. I need subtitles to understand what, say, Sharleen Spiteri says in interviews, but damn, does she sound amazing! When I found out Outlander, the TV series, existed I just had to jump in. Scots! Kilts! Someone called Jamie that apparently is worth watching!

I managed three episodes. I think the first moment when I winced in second-hand embarrassment was when Claire consumed a mug of broth as her only meal for the day, then refused breakfast. In the next scene she brought Jamie a nice picnic basket. While I understand that Claire is magical, since she travelled back in time… oops… spoiler alert… I was not prepared to see her magicking a lunch basket out of thin air. Scottish accent or not, my writer’s mind kept screaming “this makes no sense!!!”.

The second and last bit that made me facepalm so hard I gave myself a bruise was Claire’s excellent plan to become the best doctor she possibly could in order to prove to the Scots they should get rid of her as soon as possible. I would compare this to a mouse going to hang out with a cat in order to prove that cats don’t eat mice. It actually made me yell at the screen the same way I used to when watching True Blood and yelled “y u so dumb Jason Stackhouse!!!” I couldn’t go on after that.

None of those things happen in the book. Claire is more or less forced to become a doctor, and she’s just doing her thing while waiting for a good moment to escape. The lunch basket is explained in one sentence – she goes to the kitchen and asks if she could get some lunch for Jamie. I don’t see how magical baskets and amazingly stupid plans improve the story, but hey, I only managed three episodes. There’s a good chance she hit herself on the head as I blinked, or something.

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Fear of not missing out

Confession: I am not enjoying the world in 2018.

Obviously, I don’t mean to say that the entire planet has nothing to offer me. I’m not enjoying the news, the outrage, the furious exchanges on social media. I block certain words, phrases, unfollow people who seem perfectly nice and reasonable…until someone says that one phrase or criticises that one idea or…etc. As a chronically ill person I have a limited amount of spoons, and I have to decide how to distribute them. Realising how much energy reading those tirades cost me and how little I actually learned from them made me disengage. There are times when I will see X commenting on a post by Y in a way that makes me absolutely seethe with rage. I deal with this by blocking X, then hiding the post.

Unfortunately, it appears I can’t completely block worldwide politics, climate change, or countless acts of violence that media love reporting on. A brief look at the front page of HuffPo makes me gasp. A remark from a family member makes me want to cry in powerlessness. Twitter keeps me informed whether I want to be or not. I’m not going to give examples, because why would I? Look at the news yourself.

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Looking for a responsible adult!

In my second work-in-progress novel (WIP2) the main protagonist utters the following phrase: “A responsible adult should be taking care of this, not me!” It’s not a good thing when a fictional character speaks with the writer’s voice, but Gareth and me are in 100% agreement over this. Gareth, by the way, is 32. I am 40.

When I was 10 years old, I couldn’t wait to be a Grown Up Man. My mom would buy the most delicious sweets – chocolate-covered marshmallows – and give me one a day. Perhaps two if it was a holiday. (For sake of transparency, that was Communist Poland and getting more sweets wasn’t as simple as popping out to the corner store, but try and explain this to a 10-year-old.) I promised myself that one day when I’d become An Adult I was going to buy myself those marshmallows and eat the whole box in one go. Twenty-five years later, after an exceptionally heavy shift at the forge I opened a brand new box of exactly the same marshmallows, and started eating them mindlessly. I made it through half a box until I began to feel sick. Clear proof that adulthood sucks – as a child I would also have gotten sick, but I would have enjoyed it.

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Anxious planet

Business Insider:

Barnes & Noble said that sales of books relating to managing and coping with anxiety are up 26% from a year ago.

The sales data shows that customers are gravitating towards workbooks and toolkits to try and manage the growing stress of “an anxious nation.”

“The Anxiety category has really popped in the last year as book buyers look for practical guides and strategies on how to manage anxiety,” Barnes & Noble’s senior director of merchandising, Liz Harwell, said in a press release.

Nervous reader

I recently finished Matt Haig’s “Notes on a Nervous Planet”. I saw a lot of myself in it. Judging by the fact the book became a #1 bestseller, I am far from the only one to feel so. I nodded as I read about panic attacks, about fights with trolls on social media, the constant influx of bad news, the need to disconnect. On one hand, Internet allows us to get in touch with each other easier than ever before. On the other hand, however, Internet allows us to get in touch with each other easier than ever before.

I come from a generation born before Google existed. Yes. That’s how old I am. In fact, I was born before Internet existed at all. My first computer had 2 KB memory and loaded its tiny programs from tape. (For context: laptop I am typing this on has 8 GB RAM. This is four million times more. It’s not ideal. I hope to replace it with a 16 GB one, so it lasts me a few years.) I started a Facebook account with sole purpose of playing an illegal Scrabble clone with my workmates, and I did so reluctantly. I was among the last ones in the company to get an account. But I just wanted to play Scrabble.

Happiness in 2004, at a political rally. What is this Facebok you speak of?

Back in the day *harumph, get off my lawn* I had a blog called From The Life of Heterosexuals. It was a comedy blog. Sometimes “mainstream” readers would bump into it, and unleash their minuscule fury. I had blogs before then, and every negative comment made me spend sleepless nights, worrying – why don’t they love me? What have I done wrong? It was this blog, with people threatening to beat me up, assuring me they knew where I lived, etc. that made me stop worrying. Because those threats were just so amusingly ridiculous. I couldn’t find it in me to imagine that my blog nickname and posts about how funny it was that women worried their husbands were gay because aforementioned husbands peed sitting down (this was my first post ever) could cause someone to seriously threaten my safety. I was, luckily, right.

Since then I received an actual death threat which sat in my “Other” mailbox on Facebook for almost a year before I read it. And I’m, relatively speaking, a nobody. That old blog used to get into top 30 most read blogs in Poland, but let’s agree that didn’t exactly lead to fame and riches. (I never monetised it, nor did I try to sell anything.) What did, however, happen was that I got anxious about producing The Content. My readers were waiting. I had to come up with something. It had to be funny. It became more and more an unpaid job. I cut the life support a few years ago. Some people still sigh wistfully when they remember the time the blog was active – it was truly loved (and sometimes hated). But I had a burnout from it. I could have plodded on. Lost readers, gained complaints it wasn’t good anymore. I didn’t. I said goodbye, started a very different blog, dropped that one.

Happiness in 2005. Still loving this hat. I mean, I got rid of it, but I wish I hadn’t.

Even trolls evolve

The difference was that ten years ago trolls were basically spotty teenagers living in their moms’ basements. Nowadays they organise. So do cliques. Fan groups. There is increasing pressure both on Living Pretty #soblessed and on “you won’t take away our freedom of speech, you ‘bad’ ‘sick’ people, WRONG!!!”. This attacks us from every direction. One of my job titles back in the day was “social media expert”. But social media was very different eight years ago. The worst fires I had to put out concerned our servers not working as fast as they mostly did. Nowadays it’s possible to get under fire by retweeting something vaguely political. To get hundreds of strangers telling you they will slash your face, cut off your boobs or balls, kill your family. To get doxxed (have your personal data, including home address and credit card number, revealed in public). Those are all things that happen, and not just to celebrities. They happen to a lot of people who dare to speak out about more or less anything. No, I am not Felicia Day or Sarah Jeong. But in 2018 you don’t have to be.

This is only part one.

I’ve long maintained a theory that the increasing rates of depression and anxiety are fuelled by the sheer amount of news, and they are almost always bad news, pouring all over us. Our brains have not evolved as fast as computing did. I first used Internet in 1996. The first website I saw was www.petshopboys.co.uk. I made my own shortly after. No. You can’t see it. (I hope. Internet Archive has everything. Luckily even I can’t remember the URL of that website.) But the amount of news we receive in a day is larger than that a 18th century person would receive in their lifetime. And we have to process all this on top of, you know, having a life. We go to Twitter or Facebook for relief, only to find out about Cambridge Analytica, about how our data is mined and ruthlessly used.

I wish I could quit you!

I first quit Facebook a few years ago. My friend list grew to over 400 people, which I realise is very little compared to an average teenager. It began to weigh on my nerves, and create anxiety. Was the photo I posted good enough? It got four likes, but this other one got 25. Should I delete the first one? Do people hate me now? Oh Gosh, Karen posted another 50 photos of her baby drowning in poop, and got 500 likes. I DO NOT HAVE A BABY TO POST. I am over. Everything is over. And that was before certain politicians started making the news twenty times a day.

The first thing I did was pruning my friend list until I got down to 100. This proved not to be enough. Being on Facebook made me anxious. Not being on Facebook made me anxious. The amount of messages I received from strangers through my blog – and those were NICE messages! – made me anxious. I started to spend spoons I didn’t have to help other people until I hit the wall – hard. I requested people to stop asking me for personal help. I felt like a shitty person. I then deleted the account completely and started a new one. I had seven friends. But then people I really liked sent me requests. It was going well, until I found myself in the exact same spot as before, too anxious to even open Facebook. I had a Twitter, and whether I was even looking at it or not it kept on stressing me out as hell. Just by existing, and by me not existing on it enough. I was missing out on important news if I hadn’t checked the news sites at least eight times a day. I could possibly miss one email AND THEN WHAT.

I deleted the second account as well. The last drop was when I uploaded a photo of myself after corrective surgery to a closed group. Ever since then when I wanted to change my avatar picture the first suggestion Facebook made was this photo. I looked like a victim of violent fight on it, which was amusing after the surgery, but less and less amusing when I discovered this photo was impossible to delete. It did not appear in any of my albums. I would have to find the original post I made in the group. It’s a very active group, and I was very active in it. I found some posts with my photos and deleted them, but this one was hidden somewhere deep enough that I couldn’t get rid of it. Every. Single. Time. I tried to change my avatar pic I saw my bruised, battered face. The only way I could get rid of this picture was by deleting the account and starting another one.

Happiness in 2018. I wish I could have stayed in this tub forever.

Somehow in the last year or so I seem to have found a way to use social media and not be consumed by it. I do not use Snapchat or Instagram, because they don’t work for me. There are perhaps two photos of me that I put up, my avatar photo here and that one where I am in a hot tub in Iceland. Alone. Without my phone in my hand. Without Twitter, Huffington Post, CNN, BBC, etc. There are mountains, some snow, the magic of sitting in a hot tub while snow is all around me. I am able to disconnect. But then I get anxious. What if there is something I should know? What if something changed? In the previous centuries most people learned that there was a new king months or even years after the event. Nobody particularly cared which king they are never going to see unless they are sent to battle, unless the king was a particularly nasty person. Today I know about almost everything certain politicians do, despite actively trying to avoid the news.

Writing is my escape. So is, weirdly enough, installing operating systems on computers and fixing software problems. Listening to music (if I can hear it over the noises from the outside). Being in nature. Amsterdam doesn’t have much nature in it, unless you’re willing to brave crowded streets and crowded public transport in order to get to a crowded park.

Yes, Matt. Yes, Barnes & Noble. We are living on an anxious planet. We created it ourselves. We created the need that people feel to get plastic surgery so they look like filtered Snapchat photos. For someone born in 1977 this is a sort of anxiety I am very unlikely to ever feel. But, really…who knows? in 1996 I didn’t expect to ever find out Facebook was downloaded a billion times from Play Store, or that I would constantly see a photo of my bruised face without being able to delete it. I never expected people to willingly pay for devices that constantly listen to them. The article I linked to at the beginning of this post mentions fantasy books’ sales are going up as well. I can really understand why.

Main photo: ‘Notes on a Nervous Planet’ by Matt Haig. 5/5, recommended.

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Writing (underway) and trad publishing (not quite yet)

As mentioned previously, I am working on two books at once.

The first, ‘Storyteller’, is the novel set in Iceland between 1885-1920. I believe we are in final editing stages before querying agents. I would like to try traditional publishing for this one, which most probably means I have to have lots of patience. I am aiming at American market, which means my road to $ucce$$ is going to look like this (based on research and partly guesswork):

I have to find an agent. I know of people who had three rejections. I know of people who had more than 100. The process lasts a very long time, because there are many writers, not just me (shocking!) who would like to be published. Imagine you are an agent, and you receive 100 book proposals a week. Obviously, nobody has this sort of time – heck, I’m reading two books at once, and I’m on fourth day with Amanda Palmer’s ‘The Art of Asking’. (Recommended!) Therefore, agents require queries.

A query is basically a short summary of what the book is about, and why someone would be willing to read it. The query can’t be too long. Each agency (sometimes each agent) has requirements of some sorts. Those requirements need to be met, because otherwise you are not sending a query, you are sending proof that you are nowhere near published yet, and you already don’t care. Those go in the trash. This initial selection process is often done by interns, who have to go through 100 queries a week, and sometimes more. I am not jealous of their job.

The next thing to include (depending, again, on agent’s requirements) are sample pages. Five of them. Which means first five pages must be interesting enough for someone to want to read further. This is, of course, assuming the query didn’t land my manuscript in the trash already. When you get 100 books a week, and remember this is a conservative estimate, that means 500 pages to read in case all queries are murderously good. Some agents find time to respond with critique. Most, I guess, don’t. (Which is partly because enraged writers “respond” to them…) If my first pages are good enough, I will receive a request for partial (say, first 50 pages), or full (well, duh, full manuscript). And then I will WAIT, since agents tend to have a pile of books that they requested half a year ago. Which is because agents don’t just read the book within half an hour, then press the magical “publish” button. They actually have other things to do than read my masterpiece!!! Do they KNOW who I am?! (No. They don’t.) I am important and so is my work! But…so is everybody else’s.

Once I found an agent, which may take a month or a year or longer, the search begins for an interested editor at a publishing house. Again, editors receive a lot of manuscripts, although less than agents (whose job, among others, is to make sure the editor doesn’t receive 100 half-baked books per month just from this one agent). That editor must be interested in my genre, which for ‘Storyteller’ is historical fiction with fantasy elements. Sending a fantastic historical fiction to someone specialised in non-fiction is a waste of time, both editor’s and agent’s. And, dare I say, mine. Therefore I do the research to find an agent interested in my genre, after which the agent has to find an editor interested in my genre. This can last up to EIGHTEEN YEARS. So I may be in the situation where I have a super enthusiastic agent totally in love with my book, and then wait for years until the right editor falls in love with it as well. Largely because a genre might go out of fashion for a while, and there is nothing anybody can do about it, unless 100000 readers suddenly send a petition demanding immediate release of my book.

This is not the end.

Traditional publishing process takes many months. First of all, the publisher’s editor will request more edits from me, because that’s their job – make the book as good and marketable as possible.

Marketing plans need to be prepared. Cover designed. Layout done and approved. Galley copies read and corrected, because typos exist no matter what. Advanced review copies (ARCs) distributed among reviewers. I don’t even know what else, since I didn’t quite get that far yet. What I do know is that my book will not be published a day after the editor receives the manuscript from the agent.

All this means that if I pursue traditional publishing, I will wait for years before the book is out. Which is a part of how it works. First, though, I will have to deal with tons of rejections. Again, it’s not personal unless I have proven that I am a horrible person to work with (beginning with ignoring the agent’s requests – which are not what they are to make my life difficult, but rather to make the agent’s life easier). It’s just how things work. The editor might say the book is fabulous, then ask to add vampires and zombie babies to the book. It happens. Publishing is a business. Piracy is hurting it a lot. Competition is stiffer than ever.

I estimate if I am lucky ‘Storyteller’ might be released in 2020. At which point I better have another book ready to go. Because if I now take a two-year break and wait for ‘Storyteller’ to be published, I will find myself in a spot where I have no follow-up of any sort. Before I have a follow-up, it will be 2022. Before it gets published… etc.

The second novel, tentatively called ‘God of Fire’, is urban fantasy, where a bunch of Norse Gods decide a nerdy graphic designer from Amsterdam is the only person that can save the universe. No pressure. I finished the second draft, and sent it to beta readers. I made a mistake of asking on my Polish blog’s fanpage whether that one lady who commented on my old YouTube clip could contact me. Now I have 28 beta readers. Their feedback might come in all forms and shapes, including “I died of boredom on page 60”. I will be using this feedback to rewrite the whole thing until I feel it is good enough…to start working with an editor. (FYI, regarding ‘Storyteller’… So far I’ve been working with Crystal Clear Resources for 10 months, while writing the book took nine months.) There is a chance that feedback will be overwhelmingly negative, and then I will scrap the whole thing. This is why beta readers are incredibly important. I can’t objectively judge my writing.

Once I have that feedback, I estimate research and rewrites will take at least six months. And then I will be hitting the editor for help again before…that’s right! Querying!

All this, for some reason, makes me feel happy. I am not under pressure of any sort right now. I can go on writing, then querying and writing, then waiting and writing. Right now nobody except my potential readers is waiting for me to deliver anything. There are no deadlines. And if I run out of agents willing to look at my query, then I can self-publish and pray for the best. (Which is, by the way, why most authors who don’t publish one book per month on Amazon have day jobs.) Again, without deadlines.

I have no idea how this all is going to go. But that, too, is exciting. It will be considerably less exciting after my 100th rejection, I suppose. But I am not there yet. I will keep you posted.

Photo: working hard on research. If you like this picture, why not check our photo book on Etsy?

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On book piracy

Let me begin with a confession. I pirate books regularly. Here’s why: I use a Kobo Aura One reader, which is advertised as compatible with EPUB and MOBI files. It isn’t. But Kindle and Google Play that I use for buying books come with DRM (Digital Rights Management). I use software to remove DRM, then convert the books to KEPUB (Kobo format), then read them. This is how I ended up buying Marian Keyes’ “The Break”, and THEN downloading it from a pirate site because my DRM removal tool didn’t work and I couldn’t read the e-book I paid for! I call this “Sales Prevention Team”. And yes, Kobo has its own book store, which has maybe half of the selection of Amazon and Google Play, much higher prices, and also some books bought from Kobo do not work with Kobo reader. And this is how I both pay for books AND commit illegal acts, since it is not actually allowed to remove DRM. From legal point of view stripping the DRM is just as illegal as me downloading the book from a pirate website…except the pirated book is much easier for me to read. Because I don’t need to remove DRM in order to put it on my reader. Does this picture look right to you?

While I love paper books, my back injuries mean that a thick book is never going to be read by me for a simple reason – it hurts. Physically. E-books are my saviour. The reader is the absolute best I have ever seen, but the software – regularly updated – isn’t. Epubs don’t render correctly. Mobis just don’t appear at all (or didn’t last time I checked). While Google Play and Adobe Digital Editions allow me to upload the epub files, they don’t render correctly. But this is not the sort of piracy that is harmful.

Here is a very useful and informative article by Maggie Stiefwater:

It’s the story of a novel called The Raven King, the fourth installment in a planned four book series. All three of its predecessors hit the bestseller list. Book three, however, faltered in strange ways. The print copies sold just as well as before, landing it on the list, but the e-copies dropped precipitously. […]

I expected to see a sales drop in book three, Blue Lily, Lily Blue, but as my readers are historically evenly split across the formats, I expected it to see the cut balanced across both formats. This was absolutely not true. Where were all the e-readers going? Articles online had headlines like PEOPLE NO LONGER ENJOY READING EBOOKS IT SEEMS. […]

I asked my publisher to make sure there were no e-ARCs available of book four, the Raven King, explaining that I felt piracy was a real issue with this series in a way it hadn’t been for any of my others. They replied with the old adage that piracy didn’t really do anything, but yes, they’d make sure there was no e-ARCs if that made me happy.

Then they told me that they were cutting the print run of The Raven King to less than half of the print run for Blue Lily, Lily Blue. No hard feelings, understand, they told me, it’s just that the sales for Blue Lily didn’t justify printing any more copies. The series was in decline, they were so proud of me, it had 19 starred reviews from pro journals and was the most starred YA series ever written, but that just didn’t equal sales. They still loved me.

This, my friends, is a real world consequence. […]

The Ronan trilogy nearly didn’t exist because of piracy. And already I can see in the tags how Tumblr users are talking about how they intend to pirate book one of the new trilogy for any number of reasons, because I am terrible or because they would ‘rather die than pay for a book’. As an author, I can’t stop that. But pirating book one means that publishing cancels book two. This ain’t 2004 anymore. A pirated copy isn’t ‘good advertising’ or ‘great word of mouth’ or ‘not really a lost sale.’

Pirating books is easy and tempting. When you google a title, more often than not first hits are pirated copies. Not even Amazon or author’s website. When I type a song title into Google, I get, again more often than not, “mp3” as autofill. This is not so that Google can redirect me to a legit store.

I originally decided to stop making music when I sold less copies of my album Deviations than there were pirate sites I found offering it for free. There were tens of those sites on the first page of Google results. After diminishing returns I only make music nowadays if I really feel pressing need to do so. Some of this music never even sees Spotify. I’ve recorded a 19-minute triphop cover of Marvin Gaye’s “I Want You”. I was aided by a wonderful bass player, and my brother who is a great guitarist. I love that song so much I play it for my own pleasure. So does the bassist, and the guitarist. Other than them the only person to have a full copy is the keyboard player I hope to get to add solo parts to the second song for this two-track album which will in all probability never be released. Because in order to publish a cover version I have to pay for that. Last month I earned $3.65 from my back catalogue of music. Publishing a cover version costs $10.

 

 

 

 

 

 

 

The picture above is the cover art for ‘I Want You’. Oh, hang on, there is no picture. That’s because ‘I Want You’ exists mainly on my hard drive. It might be awful or amazing. I don’t know whether anybody but the four of us who worked on it is ever going to find out.

I’ve never been a pop star, despite having had a proper radio and TV hit 15 years ago (I am ancient and just began to decompose). That radio hit earned me about €2000 within 15 years, largely because it was used in an ad three years in a row, and every year I earned €500. The follow-up didn’t become a hit. The label who was supposed to release the album stalled so long that the record finally came out digitally a few years ago, more or less ten years after we recorded that first song. I spent tons of time promoting it, designing the cover art (it was supposed to be a digipak with a thick booklet). I would estimate my earnings from music, including production and remixing, to be around €5000. Within 15 years. Rappers put up photos on Instagram bragging about how much money they have. My photo would be extremely unimpressive, unless I exchanged the money to kronur first, asking for 100 kronur (less than one euro) notes.

Writers in general do not get rich, with exception of book stuffers (who publish 2000 page “books” with “additional novels added”, then get rewarded by Amazon since Kindle Unlimited pays per page) and those who manage to release a book every month (yes, they exist). I can’t possibly imagine a good book being written in a month. Not one. Much less 12 a year. I’ve read some of them. My eyes still hurt. John Grisham, JK Rowling, George R.R. Martin, Dannielle Steel, Stephen King are the only living authors I can think of that are actually properly rich. Very few writers get to make comfortable living from their work. I’ve now been working on “Storyteller” (the first work in progress) for 19 months and counting.

Sales of #1 novels in 2018 are counted in thousands. Not in tens, or hundreds of thousands. The publisher has to market those books. Editor has to, er, edit them. Cover designer. Person responsible for layout. Agent. All those people work on the book. It’s not just the author who essentially loses money. Just supporting the author directly, as some people suggest, doesn’t help the books to actually get published. What’s the point in having €50 monthly from Patreon if I am going to get dropped by the publisher because of low sales? This is what piracy causes, and this is why quality level of self-published books is either very high…or very low. The music industry caught up with this a few years ago, and now streaming can earn you money. Or not, if you aren’t Drake or Justin Bieber. I am awaiting Spotify for books, and I’d be happy to pay €30 per month for it. (Scribd does not work on my reader in any way at all.) I, too, would like to not have to pay €18 for a Kindle version of a book I really want to read – or €250 for a second-hand copy of a book that’s been printed in 2000 copies in 2014, doesn’t exist in e-book form, and is now impossible to buy legally. This book wasn’t printed in more copies than 2000, because it failed to earn its advance.

Speaking of an advance. I believe the average advance for a first-time author is somewhere in the region of $6000. This is for two or three years of work, research, querying, waiting, waiting, waiting, writing more, hoping someone will want to publish us at all. This advance includes tax we have to pay, is split into two or three parts (€2000 when signed, €2000 on delivery of manuscript, €2000 on publication). Tax here in the Netherlands is between 32 and 41 per cent. Let’s go for the lower 32%. That €6000 turns out to be less than €4200. Split into three parts that are paid within two-three years after the book has been completed. And the first book generally makes or breaks the author. If it doesn’t sell, it’s probably going to be the only one to be published. Once you get through the “gatekeepers” – i.e. agents, editors, etc. (See Maggie’s article above.) The “gatekeepers” goal is not to stop me from ever releasing my book. Their job is to figure out whether there is a chance for the publisher not to make a loss.

Writing books hoping to become rich is really a stupid idea (unless you publish a book a month, again, and add “10 additional novels” to it to get more pages). Amazon is now trying to remove some of those stuffed books. The results are mixed. My second work in progress, tentatively called ‘God of Fire’, is supposed to become a trilogy. Trilogies sometimes sell. Sometimes the first book sells 10 thousand, second – five thousand, and then the third never gets published because the author is dropped because of low sales. This is the actual effect of book piracy. For someone who sells millions it’s not a huge problem. For a new author struggling to earn out the advance (which is the moment publisher finally stops bleeding money on advertising etc., and the moment when the author has a small possibility of getting published again) 1000 lost sales can equal the end of writing career. This is why almost all writers need to have day jobs. This is why you have to wait for the third part of the trilogy for four years, because the author has one hour per day to write between work, chores, and simply dying of exhaustion – and that’s assuming this third part will ever be released at all.

If you are the person who says “I would rather die than pay for a book’” you contribute to those books not actually existing. Sure. You saved €4.99 (average Amazon price). The author, in the meantime, found a really good job as a barista in Starbucks, and stopped writing altogether. Was it worth it? Do you feel proud now?

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Deconstructing \’Vikings\’: Ragnar Lothbrok (and family)

This post contains spoilers for seasons 1-4 of ‘Vikings’. You’ve been warned.

I’ve been a big fan of the ‘Vikings’ series, and in particular of Travis Fimmel’s character, since the first episode. I spent a while grinding my teeth at inaccuracies until I had to remind myself that Þórr, according to Marvel and Hollywood, is a clean-shaven blondie who wears a costume with six nipple shields. Later on I acquired ‘The World of Vikings’ by Justin Pollard and Michael Hirst (the series’ producer). The book shows very clearly that Hirst is not only well educated in the Viking history, but also has enough wits to understand that sometimes history doesn’t make very exciting TV. After reading the book, which by the way I wholeheartedly recommend, I forgave the inaccuracies. Especially as knowing history spoils the pleasure of watching, and any departures from facts – of “facts” – provides extra excitement.

You’ve probably read one of the “10 Facts About Ragnar Lothbrok That Will Change Your Life Forever” articles on the Internet. My take on this is a bit longer, features less illustrations, and also is more accurate – if you find any mistakes in this post, please point them out for me to fix.

I want to steal his entire wardrobe. If such shocking theft ever happens, I was joking and you can’t prove anything.

Let’s start with the big one. When was Ragnar born? Ha. Gotcha. There is no proof whatsoever that Ragnar existed at all. In 1979, Hilda Ellis Davidson wrote:

Certain scholars in recent years have come to accept at least part of Ragnar’s story as based on historical fact.

Note the careful wording of ‘certain scholars’ and ‘at least part’.

In 2003, Katherine Holman disagreed:

Although his sons are historical figures, there is no evidence that Ragnar himself ever lived, and he seems to be an amalgam of several different historical figures and pure literary invention.

Holman’s view seems to be the most accurate, at least with the knowledge we possess today. It’s also very Ragnar, so to say, to not even exist, yet have many sons whose existence is proven beyond all doubts.

 

Lagertha

Lagertha (Katheryn Winnick) on a bad hair day

Ragnar’s first wife was a shieldmaiden named Lagertha (Old Norse: Hlaðgerðr). She wasn’t a delicate flower. Saxo Grammaticus:

Ladgerda, a skilled Amazon, who, though a maiden, had the courage of a man, and fought in front among the bravest with her hair loose over her shoulders. All-marvelled at her matchless deeds, for her locks flying down her back betrayed that she was a woman.

(Yes. Saxo was sexist. I hope this isn’t surprising. In his defence, he died approximately 800 years ago.)

Lagertha wasn’t particularly into Ragnar, even though he hadn’t begun to wear his hairy breeches (see below) yet. As he courted her, impressed by her courage in battle, Lagertha gracefully invited him over for tea and light refreshments. Her idea of hospitality involved setting a bear and a great hound upon him. Ragnar killed both beasts, which impressed Lagertha so greatly they ended up with three children: son called Fridleif Ragnarsson, and two daughters whose names have not been recorded. None of those three children are mentioned in the TV series.

Lagertha did not bear him a son called Björn. While Lagertha existed as a historical figure, most of the stories surrounding her are considered to be Saxo Grammaticus’s inventions. Saxo, of course, did not approve of the idea that a woman does anything else than giving birth, cooking, and crying as her husband goes away to war, therefore Lagertha served him as an example of how horrible heathens must have been. Ragnar divorced her later in order to marry Þóra Borgarhjǫrtr (not pictured on TV).

 

Lothbrok = Hairy breeches

The story behind the name ‘Lothbrok’ is a variation on Polish and Russian folk stories. (Aside: Vikings spent surprising amounts of time in Poland and Russia.) The origin of the name comes from Ragnar’s desire to marry Þóra. Her doting dad, Herrauðr, presented her with a small lindworm (according to Wikipedia – “wingless serpentine monster”). This struck me as a somewhat odd gift, especially when the lindworm grew uncontrollably, eventually trapping poor Þóra in her dwelling. Herrauðr promised her hand in marriage to the man who would slay the serpent. The sources do not mention what Herrauðr would have done if the beast was slain by a woman, but a man who literally surrounds his daughter with something that serves as giant phallic symbol probably never spent too much time thinking of shieldmaidens and Valkyries. In the story, Ragnar put on trousers made of fur, then covered himself with tar in order to kill a snake. The snake must have been somewhat bewildered by the sight of tar-smeared Travis Fimmel, yet the trousers proved to be great defense against snake venom. Ragnar, in his excitement, decided those pants were suitable for all occasions and made a habit of wearing them. I suppose, however, that Þóra was happy enough to be able to go for a nice, serpent-free stroll and allowed her husband to continue donning such a handy protective garment. Unfortunately, once Þóra gave Ragnar two songs, Eiríkr and Agnar, she died of illness.

You will note none of the people mentioned in the passage above appear in the TV series either, and if I remember correctly neither do his hairy breeches. As a side note, none of his wives changed their surnames to “Lothbrok” for the simple reason that it wasn’t his surname, but a nickname.

Lagertha didn’t get over Ragnar all that fast, which was very helpful when he fought a civil war in Denmark. At the time she was the queen of Norway and sent over 120 ships to help her ex. Upon her return home, she killed her husband and became the ruler of Norway. This was pictured in ‘Vikings’. I think it’s safe to say Lagertha did not have much luck in love. What Saxo had to say about this was quite predictable: she “usurped the whole of his [her husband’s] name and sovereignty; for this most presumptuous dame thought it pleasanter to rule without her husband than to share the throne with him”. How presumptuous of the dame!

 

Aslaug

Aslaug (Alyssa Sutherland) looking awesome and magical – like always.

The third wife of Ragnar was Aslaug, daughter of legendary Sigurd, slayer of a dragon, and shieldmaiden Brynhildr. None of her parents is considered to be a real historical figure, as the slaying of the dragon might have already suggested. There was no exciting rivalry between her and Lagertha, since Lagertha was busy killing her husband and ruling Norway. But there’s more to Aslaug’s story.

Her foster father, Heimer, was concerned about the girl’s safety. He decided to make a harp, inside which he hid the little Aslaug. It is hard for me to understand why he thought a harp would be the best place to hide a child, but I suppose a piano would have been even harder to carry around. Upon their arrival in Norway Heimer stayed over for the night in the house of peasants Áke and Grima. Grima, who was certain the harp must have been filled with valuables – after all, what warrior would feel like carrying a harp around – made her husband kill Heimer. Grima must have been quite disappointed to find a girl instead of gold and jewels, nevertheless they renamed her Kráka (Crow) and raised as their own.

Kráka, who was a beautiful lady, didn’t quite fit in the household, therefore Grima decided she needed to be rubbed in tar and dressed in a long hood at all times. Upon meeting Kráka Ragnar immediately 1) fell in love (he had experience with tar, which might have helped), and 2) decided to marry her. However, fickle as he was, he decided to marry Ingeborg, a daughter of a viceroy named Eysteinn Beli. Very unimpressed by his undecisiveness, well-informed Kráka decided to share the information about her noble origins with Ragnar. It is not known how she knew she was a noblewoman, but possibly the harp contained her birth certificate as well. Eysteinn, understandably, was not impressed by this change of mind. He died at the hands of…

 

Ragnar’s sons

Four out of many sons of Ragnar (from left: David Lindström as Sigurd, Alex Høgh Andersen as Ivar The Boneless, Jordan Patrick Smith as Ubbe, Marco Ilsø as Hvitserk)

Speaking of sons, Aslaug and Ragnar had five: Ivar the Boneless; Björn Ironside; Hvitserk; Rognvald; and Sigurd Snake-in-the-Eye. Sigurd was born with the image of Ouroboros (or perhaps the Midgard Serpent) in his eye due to Ragnar’s impatience to consummate the marriage despite Aslaug’s insistence to wait a bit longer. Aslaug prophecied the mark in Sigurd’s eye. She also prophecied that Ragnar’s invasion of England wouldn’t go well due to the fact his fleet was in bad shape, and she was right. Ever so careful Aslaug provided her husband with a magical shirt, which would prevent him from snake venom. Somehow, the shirt was removed after Ragnar was cast into the snake pit, and only then did he die. I assume his breeches were too worn out at this point for him to continue wearing them. Big mistake. Huge.

King Aelle looking sepulchral (Ivan Kaye)

As I mentioned, it is not known whether Ragnar actually existed at all, was an amalgam of stories of multiple other warriors, or simply a mythological figure. The confusion is aided further by the multiple stories describing his death. As we’ve seen on TV, King Ælla decided to throw him into a snake pit, but according to sources Ælla did so not knowing he was dealing with Ragnar Lothbrok himself. Ragnar must have felt rather aloof, refusing to inform Ælla about his credentials even as he was already in the snake pit. This clashes with the much less romantic version of the story, according to which Ragnar died of illness in France. He did, however, kill a lot of Franks first.

To sum things up:

– ‘Vikings’ TV series skips one wife. I’ll admit Lagertha and Aslaug are quite a handful without Thóra’s help.
– None of the children he had with Thóra and Lagertha are featured in the TV series.
– Björn Ironside was the son of Aslaug, same as all the other ones featured in the TV series. The departure from sources was necessary to create a very exciting conflict between him and (TV) Aslaug’s sons.
– While it is accepted that Ragnar’s sons existed, there is a theory (see Ben Waggoner’s book) that multiple warriors called themselves “Ragnar’s sons” in order to scare their opponents or make themselves look more important.
– As shown on TV, Ragnar demanded that Aslaug shows up in his camp “neither dressed nor undressed, neither fasting nor eating, and neither alone nor in company”, which strikes me as rather demanding seeing as he wanted to marry her, not the other way round. Honestly, Ragnar? Your way of dealing with the ladies should not be an example to any of the people reading this post. Actually, your habit of killing tons of people wherever you go shouldn’t either.

Travis Fimmel, who has no business looking THAT good

I can also exclusively reveal that Rollo, Ragnar’s brother in the TV series, never actually met Ragnar, not to mention the fact they were not related. More on Rollo soon, because any excuse is good to post photos of pre-awful-haircut-and-handlebar-moustache photos of Clive Standen.

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All photos used are promotional materials for the ‘Vikings’ TV series, property of History Channel.

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Subscribe to my newsletter and receive a free e-book (released March 17 with the next newsletter) – Vikings: from history to History, featuring rewritten and greatly expanded versions of the posts from the Deconstructing ‘Vikings’ series. The book includes chapters on Ragnar Lothbrok, Lagertha, Áslaug, Björn Ironside, Ivar the Boneless, Ivar’s brothers, Flóki, Harald Fairhair and Halfdan the Black, and Athelstan.

Other posts in the series:

Deconstructing ‘Vikings’: Rollo

Deconstructing ‘Vikings’: Flóki

Deconstructing ‘Vikings’: Harald Fairhair and Halfdan the Black

Photos: promotional materials of History Channel

Deconstructing \’Vikings\’: Ragnar Lothbrok (and family) Read More »

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Picture above: 2004

I am a proud owner of not one, but TWO mirrors.

When I look in the first, I generally think, “daaaamn bae, not bad at all”. Sometimes I think “daaamn bae, you’re greying” or “daaamn bae that is a VERY impressive zit”. But that mirror tends to bump my self-esteem even if it’s because the zit is truly of galactic proportions. The second mirror, on the other hand, always makes me look grey-skinned and tired. It underlines all the wrinkles, makes my black beard look like it’s greying even in spots where it isn’t actually doing it.

The interesting thing is that two mirrors both hang in the bathroom, approximately three meters apart. The only difference is that the lamp hangs closer to the first one.

As shallow as this sounds, the “choice” of first mirror I will look at on the day can affect my self-esteem for the entire day. The “worse” one, unfortunately, hangs over the sink where I brush my teeth and put on my lenses. The “better” one is the medicine cabinet. I do not organise my day about looking in mirrors in correct order, but perhaps I should.

(also 2004)

I hope you are not surprised to hear that those mirrors are actually a metaphor. Because what I actually want to talk about is how we see our mirror images in others’ eyes. There are people whose gaze is going to make me feel better and happier. There are people who just need to look at me once for a second to make me feel like I am Quasimodo with the most impressive zits ever. If those people are strangers, I generally don’t notice their existence, since I am the type of person who gets so lost in the music in my headphones that I miss the fact I’m standing next to a dear friend who’s trying to attract my attention by performing an interpretative dance in the nude. But sometimes the mirror people feel the need to tap me on the shoulder and ensure I know their negative opinion about them. A bit like Rebecca here (read the thread):

https://twitter.com/rebeccarmix/status/1018336544808153088

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A good friend of mine wrote:

Only recently I realised that if I decided to talk about [thing], a lot of people would decide I am simply trying to flaunt how disgusting I am and that I should keep my thoughts to myself.

This is the kind of mirror I don’t want in my house. Or life. The mirror that not only gives you a better view of your zit and wrinkles, it actually huffs “if you could PLEASE not reflect in me, because it makes me sick, people with faces like yours belong in dark spaces with paper bags on their heads”. And then you turn around and the mirror is like “I STILL SEE YOU”, and you’re like, well fuck you mirror, and the mirror says “You are SO rude and impolite, I am just being nice and helpful, not only are you ugly but also rude AND a snowflake!”.

(I believe it was John Cleese who correctly pointed out people who call me a “snowflake” are actually saying “you’re not a sociopath, you have those ew, ew, feelings, and that is a bad thing”.)

(2010)

There is no objective way to tell whether I am a good-looking, funny, smart, well informed, interesting person, or perhaps disgusting, evil, gross. There are no objective rules for that. There actually are people who still insist Hitler was a very nice person and a misunderstood artist. (Those same people often insist Holocaust was faked, then move on to saying “but we should stage another one for everyone who isn’t like us”.) Those people are unlikely to become my BFFs. Some things can be perfectly fine inside a church, but NOT at my house – and, of course, vice versa. Even various sub-religions of Christianity can disagree on what is wrong or right. Hell, a friend of mine goes to a church where the vicar finds her perfectly…suitable, but SOME other churchgoers demand her to leave and never return. My friend, you see, is a lady of faith, she takes part in a lot of church activities, but she is also a lesbian. Another one went to her priest and asked if he found contraception to be a horrible sin. The priest was like “of course not, duh”. She mentioned this to a friend, who huffed saying “it’s the WORST of sins”. When she mentioned the priest’s opinion, the “friend” answered “well, then he is wrong”.

I don’t have friends like this. Not anymore.

There is a book called “Eleanor Oliphant Is Perfectly Fine”. The book has been covered in such thick layer of awards that it’s hard to see the cover anymore. Tons of people told me I will love it. I suffered through first 1/3, cringing internally, feeling that it’s a particularly cruel portrait of a person with mental illness. I tried and tried. People told me it gets better later. I didn’t manage to last that long. I also hear that if I force myself long enough I will start liking goat cheese. I respect this WRONG view, then order pizza with pineapple and people block me on social media.

This has no relation to whether the book is good or not. It means that when I am the mirror, this book has a lot of zits and wrinkles. It’s a matter of taste, world view, possibly even mood I am in. No book is ever going to be good enough to warrant perfect 5.0 average on Goodreads from every single reader. Not even mine. (SHOCK!) This blog is going to piss people off. Every blog is going to do it. People complain about too many kittens on the Internet, as if something like that could even be a thing. I used to write a very popular blog back in Poland. It was called “Scenes From the Life of Heterosexuals”. It was a humour blog, and quite often got linked on the front page of the most popular news portal in Poland. Every time I got that link my visits spiked, and so did the amount of nasty comments. This was the day I realised I can’t possibly satisfy anybody. On one of my previous blogs, where I wrote very openly about my life, I sometimes got one negative comment per 99 positive ones, and I suffered through sleepless nights wondering what I’ve done wrong, and why doesn’t this one person love me. Receiving comments that consisted only of expletives cured me from this. So did reminding myself that 13-year-olds can now post comments on blog posts.

This happened in 3D life as well, of course. Person one would look at me as if I was the eighth wonder of the world. Person two, thirty seconds later, would spit at my shoes. Obviously I would focus on wondering why person two doesn’t love me, and try to change myself, only to find that person two continued to hate me, and person one quickly withdrew from that stranger I suddenly became.

(2011)

The worst mirror is the one inside of me. When depressions strike, in particular, I have a tape in my head telling me over and over and over how useless I am. Attention seeker (this is especially weird when I am alone and nobody can see me “seeking attention” by staying in bed for hours). Lazy. Gross. Awful. Worthless. This is a mirror that hurts, and I can’t even break it or turn away from it. This is when I need other people to remind me those things are not true, and this is why I had to let go of people who reinforced those beliefs. Often as I am writing the editor I work with is the mirror that helps me remember what I am doing has value. I would have probably left the book alone at some point, but the editor put so much work into my book that the mirror she is motivates me every single time she sends me an email. This is how I survived writing the book for nine months, thinking it was ready, then – so far – revising and editing for 9.5 months. There is end in sight. But if it were just me, it would most probably have ended by now. Because when your mirror is your low self-esteem and impostor syndrome, it’s not going to help.

It’s okay to look in the mirror that makes me look better. It’s okay not to put myself down in disguise of being modest and well-behaved. It’s okay not to listen to stupidest advice ever – “if I can do it, so can you”. I know a person with anxiety who “got over it” and told me repeatedly “if I can do it, so can you”. He is very well-meaning and sweet, but he’s also wrong. A person without legs can’t run a marathon despite the fact you can. A person with cancer can’t stop having cancer because you don’t have it. A person with anxiety disorder can’t just decide to stop having it, even though it can be semi-controlled with medication and therapy. An introvert can’t suddenly start organising huge parties and enjoy them. (I’ve read a comment once that the person – I wish I could remember her name! – hated books that began with a person being a hermit introvert, then at the end of the book being soul of every party they went to. This comment shaped a lot of my novel-in-progress.)

(2012)

I may look better in one of my bathroom mirrors, but I still don’t look like Travis Fimmel. This, however, makes me wonder what Travis would think about his reflection in my evil mirror. Perhaps he’d quite Cindy Crawford – “even I, when I get up in the morning, don’t look like Cindy Crawford”. Perhaps he doesn’t need a mirror to confirm his exquisiteness. Perhaps he’d sigh “why can’t I look like Idris Elba”. Even mirrors change depending on who’s looking in them.

I used to Photoshop my pictures to hell and back. I stopped. I am who I am. Sometimes I am a person that looks like a go away, and then on the next picture five seconds later I’m delicious. Even if the same person took the photo. Because that’s how life rolls, baby.

PS. I also don’t look like Idris Elba.

(2013)

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Default people

Natalia Sylvester published a fantastic essay on Writer Unboxed:

As an immigrant and a Latina whose recent novel deals with family sacrifice, love, generational trauma, secrets, marriage, adolescence, borders, and immigration, I’m often told things like my novel is very timely, or that the topic of immigration is very relevant right now. I’ve lived my whole life as an immigrant; to me and millions like me, immigration is not a “topic” but a lived experience. We cannot separate politics from our lives because our whole lives there have been policies in place that affect us. […]

In stories like mine, in a time and setting where the current (and historical) politics obstruct and oppress the lives of the Latinx immigrant communities I’m writing about, the political becomes more visible. It is a force that we do not have the privilege, as much as we’d want to, of ignoring. Even if I were to write a fun, “non-political” story that makes for an escapist read, it’d be difficult to do so authentically because my existence as a woman of color and immigrant is politicized in the world we live in.

I am a white cis man. So far, so good. But I am also an atheist gay man raised in a very strict Catholic country where being different is very rarely an advantage. I refused to remain in the closet, didn’t attend mass or religion classes at school. It was enough to become a polarising figure, accused of pushing an extreme agenda. The price I paid for being openly gay (as opposed, I suppose, to people who are openly straight) was high – I lost contact with a large part of my family. The reason? Wanting to bring my boyfriend to a family celebration. When my cousins brought their girlfriends, that was normal. When I wanted to bring my significant other, it was made very clear to me that it was okay for me to be gay – but only where nobody could see me.

A few years ago I happened to be in Poland in time for a rally demanding legalisation of registered partnerships – not even the most extreme of activists dared to demand same-sex marriage at that time. Since I was very open about my sexuality on my Polish blog, I was called onstage without any prior warning. I gave a short impromptu speech, in which I said that in Poland I was “a gay man”, while in the Netherlands I was a person. This was shocking enough to put me in a newspaper. But even though here in Amsterdam I am a person, I still check who is around before I hold my husband’s hand. Because even here, even in 2018 this puts both of us at danger. We’re flaunting, pushing our sexuality down people’s throats, think of the children. We’re holding hands.

Committing a political act either before or after I was called onstage

The default people

A default person is a white cis straight man following the mainstream religion of the country he lives in. He was born in that country, and sees himself as a patriot. Being the default brings along a lot of what is essentially political privilege. And the default people don’t want to lose it. Women are great to play girlfriends, wives, daughters, secretaries. They get spoken parts, in which they talk about men. In the first “Thor” movie, directed by Kenneth Branagh, Natalie Portman plays a badass scientist. In the second, she mostly shrieks and faints. I didn’t watch the third one, so can’t comment on that.

Look at the reaction to the all-female “Ghostbusters”, “Wonder Woman”, “Ocean’s 8”, “Black Panther”. Despite the fact that default people are represented everywhere all the time – pop music, movies, TV, billboards, adverts, books, you name it – they feel threatened by anything that doesn’t confirm their view of the world. An Asian actress is shunned, because “Asians are not expressive enough”, therefore she can’t play an Asian woman (!?!?!?!?) and a white woman must step in. Margaret Cho was told she was too fat to play herself. It all boils down to the idea that default people should have a monopoly on being represented. Blockbuster movies featuring gay men (“Brokeback Mountain”), people of colour, women in all leading roles are all considered shocking, ground-breaking, and political. If I have one thing to say about “Brokeback Mountain”, it’s that once you stop thinking of gay cowboys as scandalous taboo topic it’s a rather boring movie. The director managed to make it just scandalous enough for people to watch it. Casting two very popular white cis straight male actors helped, I suppose. It also got them lauded for their courage.

Back in Poland I was regularly told to “go to Holland where perverts like you belong”. I emigrated, and never looked back. I was accepted without any problems, assigned a knowledge migrant visa, later applied for citizenship and received it. This didn’t make me a Dutch person. It made me an immigrant from Poland with Dutch citizenship. I feel very lucky, grateful, but also still resentful towards a country where it is completely acceptable to tell me straight to my face that I am unwanted. I’ve experienced violence – verbal, emotional, physical – because of the political fact of holding my boyfriend’s hand in public. Even during that rally in Poland we, the Dutchies, seemed to be the only couple holding hands. I originally wrote that my life was never in danger, but then I remembered the death threat I received because of what I write on my Polish blog. Specifically, because I don’t hide the fact I am gay.

Just married (photo: Gerardo Viviers)

“What will children think when they see two men kissing?” is just one way of saying “you’re not really human”. Back in Poland a prominent politician said once that there is no discrimination against queer people, because any gay man can marry a woman whenever he likes. Another pointed out that she never noticed any discrimination against gay and lesbian people. (She is straight.) I was accused of “flaunting my sexuality” and “pushing it down our children’s throats”, as if all children were straight. As if we, as children, were not constantly having heterosexuality pushed down our throats. Why is it so easy to forget heterosexuality is also a sexual orientation? That white is also a colour? (I have a grudge against the phrase “people of colour” for this reason, while reluctantly accepting there’s no better expression to use at this time.)

“Diversity” is a buzz word in 2018. “Representation”, “own voices”, you name it. This doesn’t change the fact that a woman of colour is being told by her white editor that she (the author) doesn’t know how to write a character of colour correctly. (My apologies for not being able to provide a source – perhaps tellingly my attempts to locate the original article led me to…4chān.) That Natalia Sylvester is accused of pushing a political agenda – and, at the same time, asked why her novels are not more political. That when I said on that stage that I wanted to be treated like a person without putting me in a rainbow-coloured box and shutting the lid it proved to be controversial enough to warrant an article in the biggest newspaper in Poland. I take issue with the word “diversity” as well, because it creates another divide: default people versus diverse people. As if non-whites, non-straights, non-*insert dominant religion in your country* were some sort of “diversity tokens”, political simply because they – we – exist in public.

A while ago I noticed that I stopped reading novels written by default people for default people. It wasn’t a political act either. It was seemingly a coincidence that continued until I realised my top five novels of 2017 were all written by women, not all of them white or straight either. I never picked a book thinking “this will be good, because a woman/PoC/gay man wrote it”. I believe I just got tired of the default viewpoint. It truly has been pushed down my throat for decades, together with explanation that it’s good for me, and attempts to convince me there was no other perspective.

I am both exhilarated and upset by the fact “Black Panther” was such an enormous hit and generated so many headlines. “Black Panther” finally gave on-screen representation to people of colour, for once not cast just as “token blacks” to show “our commitment to diversity”. When the makers of “Doctor Strange” were accused of whitewashing due to the fact Tilda Swinton was cast in a role written for an Asian man, they responded:

Both director Scott Derrickson and writer Jon Spaihts have defended Swinton, rationalizing that casting a woman in the role of a man was already a diversity choice.

Very recently casting of Scarlett Johansson as a trans man sparked controversy. Johansson herself fails to understand the problem. This was her statement:

Tell them that they can be directed to Jeffrey Tambor, Jared Leto, and Felicity Huffman’s reps for comment.

She feels personally attacked and singled out. It doesn’t look like Scarlett Johansson realises what the problem even is. She is a white, straight, cis woman, who already played a Japanese character, because – I suppose – there just aren’t any Japanese actors? (The movie, “Ghost in the Shell”, bombed at the box office.) The very idea that perhaps the role of a trans man could be given to a trans man is a shocking political statement. As if the filmmakers were not already being so brave and supportive by even making a movie about a trans man at all! Below a photograph of the man Johansson will be playing:

https://twitter.com/hamishsteele/status/1014361922676850689

Nobody is saying Scarlett Johansson shouldn’t ever play any leading role again. Nobody is saying she is not talented. The movie industry didn’t suddenly stop offering acting opportunities to white actors. Despite the success of “Black Panther” I don’t expect that five years from now all superheroes will be disabled black lesbians (as was sarcastically suggested when the idea of Idris Elba playing James Bond started floating around). But disabled black lesbians exist. So do gay atheists born in Poland. Trans male actors. Immigrants. Gay Muslims. You wouldn’t know that from popular culture. But yes, we do exist, and we don’t think about ourselves as “diversity representatives”. We think about ourselves as people. I hope to see the day when that doesn’t seem shocking.

Just married (photo: Dorota Kozerska)

Default people Read More »

How I stopped being a blacksmith

Part 1 • Part 2 • Part 3

In 2015 I decided to sell my apartment, and move in with husby (we were not married yet, so with my fiancè) (that word will never not be hilarious). With help of some lovely, lovely people we got it renovated, sold most of the things I didn’t need, and the only thing remaining was an IKEA kitchen block. I wanted to add a photo of it, but I seem to have deleted all of them. This is probably a good thing, as they were somewhat triggering for my PTSD. So here’s a different pic.

(Photo: Kjell Leknes)

The guys who bought the kitchen block – four cupboards put together, with a countertop on, er, top – asked us not to take the thing apart, as they would come over and just carry it to their truck. I became somewhat worried, because that countertop was so heavy husby and me couldn’t move it at all without a third person, so I asked a friend of mine – big boy – to come over and help. Husby was at work. The buyers came over, and they were three rather small guys. I mentally congratulated myself for thinking of getting another pair of hands, and then we started getting the thing out. It was easier than I expected. We lifted it, maneuvered to get it out of the door, and when we were outside together with this huge, heavy thing, we relaxed, thinking the worst was behind us.

This was a mistake.

The guy next to me must have relaxed a bit too much, because he suddenly dropped his corner. I was the nearest person, and the entire weight went down for just a moment. After that we loaded the thing onto the truck, I briefly wondered how the three of them are going to get it out seeing as five of us barely managed to put it in, but it wasn’t my problem anymore. I got my 100 euros, the space in the apartment was now free and open, and my lower back felt warm.

I knew that warmth. I had two back injuries before, both sustained at the gym, both due to my stupidity. So I shrugged, thinking “well, that’s a week off the forge and gym”. But the day after the pain was horrible. And the next day it became worse, then worse again. I white-knuckled it for a while before going to a doctor. I was sent to do an xray (which showed nothing), then to an orthopedist (who did nothing), then to various physiotherapists, exercise therapists, sports rehabilitants, and a pain specialist. In total I have seen either eight or nine people about my back. After a while it became somewhat blurry. My life consisted largely of sitting in one precisely chosen position on a very specifically angled pile of pillows. Dry needling made the pain worse. One sports rehabilitant in Poland caused me the worst pain of my life – I cried while in bed, but couldn’t find any position in which it would hurt less. There was no gym, no forge, until the second or third physio found out a part of my spine slipped sideways (please don’t ask me for Latin names for that), and blocked the left part of my pelvis. This was eight months after the accident.

It took another half a year (I believe) to figure out that there was another injury. I had a cracked joint in my spine, the joint kept triggering a nerve, and that nerve gave me tons of pain. It was unnecessary – often pain carries information, “this is wrong, fix it”. This particular pain only hurt endlessly, and when triggered by any sort of wrong movement it hurt worse. I became dependent on painkillers which were literally driving me insane, and in December 2016 I decided I was done with this planet. 2016 was the official worst year of my life. I found myself crying in the shower, sitting on the floor, unable to lift myself up anymore, the opiates taking the pain down all the way from excruciating to plain horrible. I always travelled with a cushion to put under my back, and with a supply of painkillers. Yet every time the pain became less unbearable, I tried to go back to the forge. I worked for 30 minutes, then 40, then back to physio and painkillers, then 15 minutes and I was already in pain… But I wasn’t ready to give up.

Post-accident photo – one of the rare times I managed to actually get some work done. And then, of course, paid for it.

Both injuries eventually got “fixed”. One by what I call “cracking” my spine, a white flash of pain, certainty I will never move again, then realisation I could not just walk, but also bend again without lifting my leg involuntarily. The other, that pesky nerve, by simply burning through it. I took a month of a break, then tried forging again. Then two months, and tried again. I kept on trying the forge, but I noticed I was becoming weary. Every time I got on the tram, the main thought in my head was “I’m going to work for half an hour, then be in pain for a week”. I moved from heavy work to less heavy work to making tiny things from thin stock. It didn’t improve things pain-wise. And eventually I fell out of love – not with the fire, the iron, the hammer, but with the fact I was doing something that ultimately caused me way more harm than good. I do wonder sometimes how much better my back would have been had I given up forging for a year or two, or if the injuries were detected faster. But there really is no point thinking about it. What happened, happened.

This weathervane (made before the injury) is now proudly displayed on a roof of friends’ house in Germany, and it works!

I have a large tattoo saying “BLACKSMITH”, colours of the iron being heated up, flames around the letters. For a long time every time I saw it, it hurt – mentally and emotionally. It felt like a cruel reminder. It took me at least two years to arrive at the conclusion that I earned this tattoo, same as I earned each of my burns and scars. I never stopped being a designer just because I no longer work in that job. My M.Sc. in maths hadn’t been taken away from me despite the fact I never worked in any field even barely related to mathematics. (Pro-tip: at job interviews having a degree in maths is going to get you everywhere.)

Today I am largely pain free, as long as I observe certain precautions. I can’t lift a shopping bag, but a backpack is fine, even a full one. Just not for too long. I have to be careful when I take the trash out. Reading a thick hardback book is going to be a challenge – I will never not be grateful to the inventor of e-readers. I don’t get to play with power tools anymore. Or to hammer hot iron. Asymmetrical movements are dangerous for me – I can bench press and do back pulls, but a while ago I gave myself a few days of sharp pain by pulling a curtain that got stuck. It was a sideways movement. I only rarely need a cushion when I travel, and most of the time when I go somewhere I manage to find a chair I can sit on at least for a longer while. At home I have a profiled armchair with lower back support, cushions on the sofa for lower back support, a desk chair with – guess what? – lower back support! I also have a home gym, which was one of our best purchases ever, despite costing way too much money. This gym allowed me to strengthen my core, my back muscles, and – well – all other muscles as well. All I have to remember is that there are exercises I can’t do, and at the merest hint of pain I stop.

(Photo: Dorota Kozerska)

Am I done with the forge? Hell no. I will never stop loving the smells; the dry heat of the coal fire; the wizardry of shaping thick iron; the superpower feeling I had when I did my first forge weld. I like to think a day will come when I will be able to go back to forging – even if only at limited capacity. But there was a sort of silver lining – this injury forced me to think of a plan C. When I had a burnout and had to stop working as a graphic designer, blacksmithing became my plan B. I didn’t have any other. If back then I didn’t manage to find my place by the fire… I don’t know what would have happened. But in 2015, when the injury struck, I already had other plans, and once I stopped being in so much pain I began to pursue them…

To be continued, of course.

Main photo: Casper Prager.

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