The Ten Worlds

Children: they\’re coming

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My second book, Children, will be released on October 3, if 2020 lets us stay around that long. You can add it to your Goodreads TBR list already.

 

In a few words…

Magni never wanted to be like his father, a murderous, absent, cheating alcoholic: Thor – the feared and beloved God of thunder. When Thor destroys everything and everyone his son knows and loves, Magni vows to stop the violence. His dream is to bring peace and prosperity to the Nine Worlds, then settle down with the man he loves. But is it possible to remain good in a place this bad? How do you escape cruelty in a universe built on it, or the shadow of your father when everyone calls you by his name?

Maya knows she’s a failure and a disappointment to her foster-parents. How could a child raised by Freya and Freyr – Goddess of love and God of sex – have no interest in the greatest of pleasures? Obviously, it couldn’t be the torture they subjected her to, or treating her as a tool that might someday be useful. Maya, her rage at their games more powerful than she knows, wants freedom to pursue her own destiny. But how do you forge your own life away from your God-parents when you’re nothing more than human?

A retelling of the Norse myths unlike any other, Children will answer all the questions you never knew you had about the heathen Nine Worlds… before leading you into the Tenth.

 

What others think:

“A haunting, brutal, and emotional coming of age story, steeped in Norse mythology and written in spare but lyrical prose, Children is a book that demands to be felt rather than read. Its hard-hitting story and dark humor combine to make this a grim book with lots of heart, a book that will stick with me for a long time.” – Angela Boord, author of Fortune’s Fool

“Faced with gods who are interested only in their own goals, happy to use their own children to further their ambition in the face of a foretold end, Children can be read as allegory or fantasy. Drawing on established Norse myths but adding a unique interpretation, Larssen’s tale made me wince with witnessed pain, and cry, and, once or twice, snort with laughter. His evocative prose will linger in my mind for a long time. Not a book easily forgotten.” – Marian L Thorpe, author of Empire’s Reckoning

 

Cover

On the RockStarlit BookAsylum blog I talk about the evolution of the cover and title changes. On Whispers and Wonder Justine Bergman talks about the Tree logo designed with her husband, Brad.

The book will be released as an e-book, paperback, and hardcover featuring extra material (to be confirmed). There will be a surprise deluxe edition as well, but I’ll confirm that when I have it in my hands.

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Children: The title and the warnings

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The reaction to the teasers and posts about Children – the first book in my new Ten Worlds series – has been great so far. The readers of Storytellers in particular have made it clear that they can’t wait. It’s the most wonderful compliment I could dream of. It also makes me somewhat uncomfortable, because this book is… different.

I have rewritten Children 28 times, compared to Storytellers’ 21. The plot never really changed. I gradually pushed the book further and further onto the dark side without even realising I was doing it. Only when I saw it through a reader’s eyes again I realised what I’ve done. She read the book twice – a much earlier version a few months ago, then the 28th draft last week. Faced with the (hopefully) final version she first told me that she needed a Scotch and some rest, then quoted a bit and said, “I literally had to get up and walk away from the screen for a while.” Neither of those passages were disgusting. I just worked and worked until I felt I’ve found the right words to describe the characters’ feelings. It seems to have worked. It’s just that those characters are not happy.

Once I was finished with the last rewrite and sent it to my editor, I jumped at Debbie Young’s Sophie Sayers Village Mysteries series and devoured six books in… four days? I’m the one who wrote Children and I still needed an escape from the place that I discovered existed somewhere deep inside me.

The second to last section of this post contains a list of trigger/content warnings, some of which are spoilers.

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My Norse Gods: Frigg

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The Ten Worlds will be less of a series and more of a universe I am building based on the Norse lore and surviving resources, which I then alter to fit my needs. Today I’d like to introduce you to Frigg, the wife of Odin – if I were in charge of casting the inevitable TV adaptation, I’d choose Tilda Swinton.

 

Frigg is – to quote Our Troth:

the most motherly […] she is the closest thing to an All-Mother the Northern folk know.

Frigg does not get a lot of space in the Norse lore, sometimes even being seen as an aspect of Freya (I disagree with this). Baldr is the only child of hers that is actually named. The long-haired, peace-loving, gleaming Shining One, dies in rather awkward circumstances. After Ragnarök, when the worlds of the Gods come to an end, some of them survive – and so do a man and a woman – led by Baldr, the long-haired, bearded, peace-loving embodiment of goodness, one who returns from the dead, the son of God (and Goddess). Those stories have been written down by Christians after the Viking era was long over. Some scholars believe that Baldr is a kenning for Jesus, added to the Sagas/myths by Christians to symbolise the fall of the Norse Gods and the rise of… well, Jesus. I agree.

I removed Baldr completely from my version of the pantheon. Frigg’s description of ‘the most motherly’ coming with lack of clarity as to whose mother she is exactly made me wonder: what if the answer was ‘nobody’s’? What if the one who craves motherhood the most, becoming its embodiment, the Goddess mothers and pregnant women call upon, were unable to have children of her own?

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Children of the Gods: Jötunheim, jötnar, and Lay of Thrymr

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The Norse lore and cosmology are incredibly complex. While we don’t have a holy book of any sort, heathenry is called “the religion of research” for a reason. There is much more to it than the few myths Neil Gaiman retold in his Norse Mythology, and Snorri’s Poetic Edda and Prose Edda. Those writings, both academic and not quite so, ranging between analysis of each line of Völuspa and summaries of Norse shamanist techniques, need to be read through two filters. The first is that there are no written resources from the actual Viking period – it’s taken centuries before the sagas have been written down by Christians. The second – everyone who took it upon themselves to interpret them had an agenda of their own (disclaimer: so do I, only I’m not pretending that I’ve written an academic book). So I read perhaps 1% of what is available, tried to strip it from modern additions, reminded myself that a lot of the Viking-era resources are items the archeologists labelled “religious artifacts” (which translates to “no clue, really”)… then altered what needed to be altered in order to turn that sliver of knowledge into what is hopefully an entertaining, if dark, novel.

When the first round of beta-readers provided me with feedback, they pointed out that they often got lost among all the Gods and worlds and races. I was surprised to hear that despite Chris Hemsworth’s chest there were still people who didn’t even know who Thor was. I have added an index at the beginning of the book, or rather Loki did, where the Gods and the worlds get brief introductions. Finding the right balance between “I don’t understand a thing” and “here’s 50 pages describing the roofs of Heimdall’s hall” has been difficult and I have no clue whether I’ve managed. Here on the blog I’ve been writing a bit more about the Gods – this time I’m going to try and tackle a whole world…

 

Jötunheim

Jötunheim – the home of the jötnar, one of the heathen Nine Worlds, is where the book begins. The popular mistranslation of the word “jötunn” (singular for “jötnar”) as “ice giant” is something I blame Marvel for. In my book it’s also something of a racist slur when used by other peoples. The most accurate/literal translation of “jötnar” would be “the Eaters”.

In my book Jötunheim consists of two parts, the East and West. The Easterners, traders and sailors, are the ones the elves and humans tend to know. That part of Jötunheim is also the coldest, covered in snow and ice through most of the year. The mocking phrase “ice giants” was coined when the elves and human failed to understand the jötnar’s refusal to leave their home land for warmer pastures. Surely, they mocked, that meant that the ice giants loved the cold just as much as the dwarves of Svartálfheim adored spending their lives in their underground forges?

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Children of the Gods: Jötunheim, jötnar, and Lay of Thrymr Read More »

Children of the Gods: Consent

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The book is nearly ready. “Nearly” means at least two more months, as I am still finishing the second half while my editor is working on the first, then once we’re both satisfied the text will be sent to the proofreader, and only then I will really be able to announce the book’s completion. It’s been over a year so far, because I started in April 2019. (What a world we used to live in. You could shake hands and stuff.)

It is not a light, relaxing read. I’d describe it as similar to Storytellers, only darker, and with Gods and magic in it. Genre-wise I’d go with literary queer Nordic mythic sometimes-grimdark-but-mostly-not psychological a-bit-coming-of-age-but-really-not-YA sort-of-fantasy, which doesn’t appear to be an Amazon category for some reason. The tagline “it’s hard to be this good in a place this bad” is not an understatement.

There is a scene in the book that I have rewritten at least forty times by now and I’m still not 100% certain that I got it where I want it to be. I’ve had it looked at by more beta-readers than anything else I have ever written. I can see it being triggering enough that it might require a mention in the book’s description, which is why I will tell you what it is now, and continue after the skip – so, TW: it’s a sex (NOT “erotic”!) scene between a grown man and a naive fourteen year old. It’s the opposite of graphic, but very suggestive. Is it consensual? The point of the scene is to show why the boy can’t give consent, as he doesn’t even know what that is and that he is allowed to refuse it.

Click “continue reading” to continue reading…

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Children of the Gods: Consent Read More »

My Norse Gods: Thor

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The most important thing I need to say: Thor is not blonde, doesn’t shave, and does not have six nipples, as the Marvel Comics and movies would make you believe. As nice as Chris Hemsworth is to look at, in the inevitable blockbuster movie based on Children Thor will be played by Kristofer Hivju. (Picture above: the premiere of season 6 of Game of Thrones)

Now that we got that out of the way, let me introduce him to you. Thor is mostly known as the God of thunder and lightning, but he’s also the God of blacksmiths (obviously), and the patron of farmers, someone to call upon to hallow a new dwelling and during a marriage ceremony. He is the son of Odin and Earth herself, and disrespecting Earth, particularly forests, is disrespecting Thor himself. His is the Nature that does what it wants, instead of being rearranged by humans to fit their needs. A heathen who leaves plastic bottles or beer cans in a forest should not expect friendly treatment either from the Gods or me if I see that. One does not want to see what Thor is like when he’s furious, or hear what I have to say if I see someone throw a plastic bottle on the ground.

Speaking of humans, Thor is the God most beloved by them, often referred to as “Father”. As a father figure he is a no-nonsense, non-toxic, strong, emotionally available one. He’s not a dumb simpleton, as he is often presented and misunderstood; he’s got the simple man’s wisdom, free from agenda or politics, generally assuming that the simplest solution is the right one. His by-names include “Deep-Thinker” and “Deep-Souled” – which makes me think of the Icelandic farmers spending their evenings writing poetry. He tends to do what he considers to be fair, rather than what the law states.

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My Norse Gods: Odin

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If I were in charge of casting a movie based on Children, Odin would be played by Sir Ian McKellen just because Sir McKellen did an incredible job playing Gandalf and Tolkien barely bothered to change anything when he decided to simply rename Odin to something else for his little Lord of the Rings books.

 

Who is Odin?

Odin is the most complex of all the Gods and Goddesses in the Norse pantheon. Not for nothing does he have more than a hundred kennings (by-names), among which you will find ‘The Mad One’, ‘The Furious One’, ‘The Inspired One’, ‘The Desired One’, ‘The Terrible One’, and ‘The Old Bastard’. He is a poet, a healer, a magician, a warrior. When calling upon Odin it is advised to use the name referring to the Odin you would prefer to experience. Prefer, because if he feels otherwise you might be in for a surprise of your life. Possibly your last.

The Marvel movies put the All-Father in the position of the “chief God” to make it easier for people without experience in polytheistic religions – the Father, the Son, and the holy… uh, Loki. The truth is more complicated. In the Norse times, the God considered to be the “leader” differed depending on the region. In Iceland, for example, the favoured Gods were Thor and Freyr, with Odin rarely present in the Sagas (although by no means unknown). Since each of the Gods was associated with certain personality traits, Iceland focussed on the Gods unrelated to wars. In other parts of the world Odin or Týr were the “chieftains”.

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My Norse Gods: Loki

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I am currently working on a series called The Ten Worlds, which is based on the Norse cosmology and mythology. The first two books will be a duology Children and Land. In the “My Norse Gods” series I am going to introduce the Gods the way they are described in The Ten Worlds which might or might not be in agreement with either the academic resources or what other heathens might believe.

If I were in charge of casting the upcoming Netflix series based on my books, Loki would be played by Jared Leto.

Loki

The Marvel universe, which I will unfortunately have to mention quite often, created the Father (Odin), Son (Thor), and the Devil (Loki) to explain the Norse Gods to those who either follow, or at least have basic understanding of Christianity. None of those three job descriptions are correct, with the exception of Thor being Odin’s son. The dichotomy of the Good All-Father God vs Evil Trickster Devil is false, if only because the Norse faith doesn’t contain universal concepts of “good” and “evil”. (As an aside, we don’t have a concept of “sin” either.) When the Vikings fought the Christians, the Christians told themselves they were the side of the good. Vikings were the side that wanted to win. Odin is not the “God”, more about which later, and Loki is not “Devil”. Loki is chaos, curiosity, and fun – as he defines it. He takes things away, gets caught, brings back something better – if you can force him or convince him otherwise.

It is so difficult to explain Loki that entire books have been devoted to him – such as The Problem of Loki by Jan de Vries, which gave me a headache. Some Ásatrúar (the organised heathen religions) refuse to have anything to do with Loki, even forbidding any form of worship of Loki during their gatherings. Yet Loki is also Thor’s best friend and it is thanks to Loki that Thor received his hammer Mjölnir. Would you really dare to tell Thor “you’re welcome here, but only if your buddy stays away”. Is it better to celebrate the bringer of chaos, potentially attracting his attention, or to push him away, potentially attracting his attention?

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Children – Norse fanfic?

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In the last days of December I sent the current revision of Children, my upcoming second book, to beta readers and my editor. I’ve spent nine months doing little else but working on the book, got myself on the verge of burnout, and I’m honestly grateful for the break. Still, I think it’s time to start talking about it a bit more.

When I was trying to figure out what genre I was writing – I went from “literary Nordic mythic fantasy” through “this is really quite grim and dark” to “oh… there is a genre called ‘grimdark’, I wonder what that is?” – it occurred to me that there was something unusual about Children. There are many books that, on the surface, seem not quite unlike this one, there are the Marvel comics and movies, but I don’t know how many actual religious people would purposefully alter their God(s) to write more compelling fiction. All I could think of was Good Omens, which would be a good fit if Sir Terry Pratchett and Neil Gaiman actually were/are Christians. From what 0.854 minutes of Googling told me, Gaiman is a lapsed Scientologist and Sir Terry was a devout atheist.

I didn’t need a search engine to realise I was writing fanfic about my own Gods. I believe that in most religions this would be seen as…awkward.

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Children – Norse fanfic? Read More »

Work in progress, or the creative process

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I’ve been asked to provide some insight into my creative process. This made me feel like a total ~*hipsté-artisté*~ – I never really sit down and open my laptop thinking “ooh, it is time indeed to engage in my creative process” – but it coincided with a curious event.

The book I am now working on, Children, will tell the stories of Magni, the son of Thor, and Maya, raised by Freya – and the stories of Thor donning a wedding dress to recover his stolen hammer; of a giant blacksmith building a wall around Ásgard, the world of the Gods; of Loki seducing the blacksmith’s horse, then giving birth to the eight-legged stallion Sleipnir; Thor’s duel with the giant Hrungnir and his subsequent dealings with the wise Gróa. The follow-up, Land, will tell about the first journey from the Nine Worlds into the tenth, a journey the goal of which will be the discovery of the new Ásgard.

At this point Children is slowly heading where I want it to be and Land is a sketch of a first draft with plot outline. Land will take much less time, since it will be a sequel, but by now I have rewritten Children more than ten times. I don’t even feel ready to send it to my editor. A part of my creative process is that I’m an obsessive perfectionist.

 

The great unknown

My beta readers reported that they were confused by the names of the Norse Gods and the setting(s) – the Norse Nine Worlds. I was surprised, because I believed that everyone must have seen the Thor movies. Not that I’d recommend them as a primer on heathen faith. This added an extra part needing to be written: an index and possibly a companion e-book. It was also another conformation that the beta readers are indispensable. Sometimes when I rewrite something ten times I forget that I took things out and it isn’t until a fresh pair of eyes lands on the text that I find out what I’ve done.

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