Good Omens and American Gods
Recently I’ve spent a few frustrating days catching up with TV. I rarely watch anything, but when I found out that two of my favourite books – Good Omens and American Gods – were receiving the visual treatment, I knew that within ten years I’ll sit down and watch, and that I will have a great time!
I did not have a great time.
Watching Good Omens was the most frustrating time I’ve spent in front of the TV since I had last screamed “y u so STUPID, Jason Stackhouse?!” at the screen. When Good Omens got something right, it was better than I could have ever imagined, surpassing what I would have considered to be perfection. When it wasn’t perfect, though, it was either embarrassing or… boring.
The biggest problem was God. (This is not a sentence I ever expected myself to utter.) Frances McDormand was a great choice, it’s just that she shouldn’t have been there at all. Certain parts of the book have proven to be too difficult (or impossible) to translate into a visual medium, so the series would sort of take a break for McDormand to provide a rambling explanation of why things were happening. I was reminded of my grandma, who used to watch soap operas. We’d sit in front of TV and I would discreetly fiddle with my phone, as grandma provided running commentary: “you see, this is Bill, he is a bad guy, he is very rich because he stole the money from his ex-wife, and this bitch here is his girlfriend Tabitha, she’s cheating on him with the gardener, she is not a nice woman at all, but then Bill deserves it…” I’ve always felt that if something needs to be explained, it doesn’t belong – in a book, in a museum, on TV. This is not to say that I would have known how to do it – it just didn’t work for me.