Bjørn Larssen
AUTHOR. READER. BLACKSMITH. DUTCH ICELANDER BORN IN POLAND.
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Happy Solstice!

23rd December 2019

Last Christmas

Until the early 2000s, we celebrated Christmas as one big squabbling family. I personally made sure that the TV would stay off. Smartphones weren’t a thing yet. There were always fifteen or more of us, kids and adults from various parts of the country. My uncle would tell fascinating stories about his ulcers – I didn’t mind, it was just good to see him that one time in the year. Some got married, some were heading for a divorce that was not discussed at the table. At the centre of everything was my Grandma. I’d sit on the ground with my chin on her knee and just feel that… that thing that I thought of as Christmas. I did that when I was six and I still did it when I was twenty-something. We were not like a TV family – too much drinking, too much politics, too many ulcers – but even before I turned 20 I wasn’t stupid enough to believe that adverts and movies presented the real world.

Fifteen or sixteen years ago I came out as gay. I was assured that nothing would change, that I was loved as I was, and since I had a boyfriend I thought that meant he’d be treated the same way my cousins’ girlfriends were. My aunt, whose house was the only big enough to accommodate the whole shebang, told me that we were not welcome – it was fine for me to be gay, but only as long as I wasn’t being gay in her presence. That was it. I never even found out whether the rest of the family asked and/or were told why I suddenly stopped appearing.

 

What next?

Our family, with one or two exceptions, considered themselves atheists, but very few people in Poland didn’t celebrate the holiday.  For us, Christmas had nothing to do with the church or Jesus. It was about being together, consuming a lot of calories, laughing at the kids that were nearly unconscious with excitement because there were presents. It took one short phone call – I was only going to ask whether three p.m. was good, or should we arrive earlier or later – to lose all that. I have never seen some of the family members again, those who lived so far away we only ever met on that one occasion. The end of December, however, didn’t get cancelled worldwide to make things easier for me.

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I lost a friend

11th December 2019

The last few years have been filled with deaths of famous artists. I’m only going to list three – Bowie, Prince, George Michael. All three shocked me, because those artists have always been around and I somehow assumed it would never change. Bowie, in particular, had more lives than a cat, how could he just go and…run out? I stayed online for way too long, refreshing forums and news, trying to make some sense out of it. When yesterday I found out that Marie Fredriksson of Roxette has gone I just started crying, listening to my playlists, the albums, Marie’s solo records. She wasn’t a celebrity to me. She was a friend who’s been around for thirty-one years, even if we didn’t talk much.

I was a bullied kid – fat, bespectacled, introverted – before nerds and geeks were invented. I had three companions: my Atari computer, books, and music. Kylie Minogue, sweet and bubbly (especially in the ‘I Should Be So Lucky’ video) was my first imaginary best friend. Marie was my second. The first Roxette song I have ever heard was ‘Dressed For Success’. I didn’t speak or understand English yet and I didn’t know what she was singing, other than ‘success’. She had the weirdest hair ever and a voice so powerful it just sounded like all I wanted to have – self-confidence, strength, joy. When I listen to it today, I realise that similarly to Gwen Stefani’s ‘What You Waiting For’, ‘Dressed For Success’ is an autobiographical song of someone who might feel the fear, but will do it anyway. Yes, ostentatiously it’s about love, but it’s really about success, and it was coming. I didn’t know that. I just knew I loved the song. I was eleven years old and this music was mine.

A few months later ‘The Look’ arrived and suddenly my personal band wasn’t just mine anymore, because it was the hottest discovery of the year for the entire world – the single charted at #1 in the US and #7 in the UK. They proved themselves right, they dressed for success and the success came. I felt proud. Yes, this proto-hipster muttered to himself, I loved them before they were cool. I didn’t know how soon Roxette would stop being ‘cool’, but I knew that even the kids who bullied me came over, panting in excitement, to ask ‘have you heard about the Rock Set?!’ and they were my best friends for the fifteen minutes it took to copy ‘The Look’ from my cassette tape to theirs. ‘Listen To Your Heart’ duly broke my twelve-year-old heart, but it wasn’t until ‘Dangerous’ that I declared Roxette my new favourite group ever.

Then Joyride came and did a rare thing: sold eleven million copies and, because of that, destroyed Roxette’s career.

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Work in progress, or the creative process

30th November 2019

I’ve been asked to provide some insight into my creative process. This made me feel like a total ~*hipsté-artisté*~ – I never really sit down and open my laptop thinking “ooh, it is time indeed to engage in my creative process” – but it coincided with a curious event.

The book I am now working on, Children, will tell the stories of Magni, the son of Thor, and Maya, raised by Freya – and the stories of Thor donning a wedding dress to recover his stolen hammer; of a giant blacksmith building a wall around Ásgard, the world of the Gods; of Loki seducing the blacksmith’s horse, then giving birth to the eight-legged stallion Sleipnir; Thor’s duel with the giant Hrungnir and his subsequent dealings with the wise Gróa. The follow-up, Land, will tell about the first journey from the Nine Worlds into the tenth, a journey the goal of which will be the discovery of the new Ásgard.

At this point Children is slowly heading where I want it to be and Land is a sketch of a first draft with plot outline. Land will take much less time, since it will be a sequel, but by now I have rewritten Children more than ten times. I don’t even feel ready to send it to my editor. A part of my creative process is that I’m an obsessive perfectionist.

 

The great unknown

My beta readers reported that they were confused by the names of the Norse Gods and the setting(s) – the Norse Nine Worlds. I was surprised, because I believed that everyone must have seen the Thor movies. Not that I’d recommend them as a primer on heathen faith. This added an extra part needing to be written: an index and possibly a companion e-book. It was also another conformation that the beta readers are indispensable. Sometimes when I rewrite something ten times I forget that I took things out and it isn’t until a fresh pair of eyes lands on the text that I find out what I’ve done.

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Good Omens and American Gods

21st November 2019

Recently I’ve spent a few frustrating days catching up with TV. I rarely watch anything, but when I found out that two of my favourite books – Good Omens and American Gods – were receiving the visual treatment, I knew that within ten years I’ll sit down and watch, and that I will have a great time!

I did not have a great time.

 

Good Omens

Watching Good Omens was the most frustrating time I’ve spent in front of the TV since I had last screamed “y u so STUPID, Jason Stackhouse?!” at the screen. When Good Omens got something right, it was better than I could have ever imagined, surpassing what I would have considered to be perfection. When it wasn’t perfect, though, it was either embarrassing or… boring.

 

 

The biggest problem was God. (This is not a sentence I ever expected myself to utter.) Frances McDormand was a great choice, it’s just that she shouldn’t have been there at all. Certain parts of the book have proven to be too difficult (or impossible) to translate into a visual medium, so the series would sort of take a break for McDormand to provide a rambling explanation of why things were happening. I was reminded of my grandma, who used to watch soap operas. We’d sit in front of TV and I would discreetly fiddle with my phone, as grandma provided running commentary: “you see, this is Bill, he is a bad guy, he is very rich because he stole the money from his ex-wife, and this bitch here is his girlfriend Tabitha, she’s cheating on him with the gardener, she is not a nice woman at all, but then Bill deserves it…” I’ve always felt that if something needs to be explained, it doesn’t belong – in a book, in a museum, on TV. This is not to say that I would have known how to do it – it just didn’t work for me.

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Marian L. Thorpe on her Empire’s Legacy series

8th November 2019

Today’s guest post comes courtesy of Marian L. Thorpe, the author of Empire’s Legacy trilogy (out now as complete omnibus version in paperback and e-book – an absolute steal at $5.99) – one of my favourite reads of the year so far.

*

Marian L. Thorpe author photoBjørn asked a hard and insightful question: what is my series, Empire’s Legacy, really about? At first glance, they might appear to be a simple adventure-romance trilogy, set in an early-medieval world, with people a lot like Gaels and Vikings and Saxons vying for power and land, and the memory of the Roman Empire just barely alive.

At first glance. But about half-way through the first of the trilogy, Empire’s Daughter, the character Casyn says this to my protagonist, eighteen-year-old Lena: “…we cannot shape the circumstances to fit our lives, only our lives to fit the circumstances. What defines us, as men and women, is how we respond to those circumstances.”

Much of the Empire’s Legacy series looks, through its protagonist’s eyes, at the difficulty and the price of taking personal responsibility for the choices we make in life, good or bad; about shaping our responses to events – political and personal – that change our lives. This isn’t to say my characters are Panglossian, or Pollyannas. They know they don’t live in the best of all possible worlds, and that not all is sweetness and light. Life throws some horrible things at them: war, betrayal, violence, loss, rejection. It’s unfair. Some of it is imposed by forces beyond their control. Some of it is a direct result of personal choice, and some of it is a combination of those things.

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Village people III

29th October 2019

Part I • Part II

…and after all this fun and games I sort of broke.

Living with an invisible chronic illness that limits your energy means that there are limits to your energy. (In)conveniently, I never remember that until the red lamp is not even blinking in a warning, but is the only part of my body and mind that remains functioning. I can’t rest in advance and I can’t just “push myself”, I know it never ends well when I try, that I must take a break. I even know the definition of insanity. I always do the same thing. I am yet to gain any benefits from that.

Surprisingly, this time was not an exception. I pushed and pushed until I reached the absolute, unbreakable limit, then broke it too. That was it for my participation in the move, as I became a near-literal deadweight. Husby took care of the rest whilst I was plopped on our new sofa, staring melancholically at the garden outside our window. But I did get an unexpected benefit. A magical one.

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Village people II

9th October 2019

Part one

I kind of lost track of chronology due to sheer exhaustion, so this instalment won’t be neatly divided into days of the week.

My dear friend G arrived on Saturday and ensured that I will remain grateful forever by offering to paint ceilings. My spine makes various things impossible – painting ceilings is one of those things. So I spent the first few hours tearing off the remaining wallpaper in the living room. Finishing the task coincided with G and Husby beginning to sand various parts of the room, which created so much noise that I ran upstairs and made sure not to get any rest anytime soon. Some wallpaper there was coming off, so I grabbed a corner, thinking about nothing in particular, and pulled at it.

Old Vumman, as it soon transpired, had three hobbies. One was placing motivational texts along the lines of “If you dribble when you piddle, be a sweetie and wipe the seetie” (yes, SEETIE) everywhere. Those are gone by now. Another was putting nails in every wall, at random spots and random angles. Those are mostly gone. The third hobby, however, was wallpapering. The living room had one layer. The gym room and my future office had six. Using the steamer helped only partly, because the last layer was something between plastic and paper, just thick enough to refuse to come off, and just paper-y enough to tear off some of the wall, which is made of something that may or may not be cardboard. If I had known, I wouldn’t have pulled at that corner, just tried to glue it and told myself that I adore Old Vumman’s wallpaper choices… but… well. See the picture above to get an idea how far I got after two days of doing this. Layer four was actually quite pretty, looking as if some graffiti artists came over, sprayed paint in the air, then sneezed (many times), but all of the many wallpapers formed a semi-whole that would neither come off all at once nor one layer after the other.

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Village people

5th October 2019

Photo: my birthday party. This is not the final decor of the living room.

We’ve now officially moved out of Amsterdam. The place where we now live, Almere, is a small-ish suburban-ish town-ish – I’m going to tell everyone it’s a village, because I like the idea of living in the countryside more than in the suburbs. It most probably isn’t because “Town-ish people” wouldn’t make a very catchy blog post title. Most probably.

 

Thursday, Oct 3

A day of two very important events: my 42nd birthday (and as we know 42 is the answer to life, the universe, and everything) and the house keys being passed from Old Vumman to us.

The Old Vumman proved not to be all that old and not half as weird as we expected her to be. She was actually quite nice and a bit talkative. The proceedings began with her wishing me a happy birthday and handing us a pot of chrysanthemums (which in Poland are a funeral flower). This was the last bit I really understood before she launched full-speed into explanations of something. Husby listened and I sort of let the word-flood wash over me, until I caught something that kept repeating. Cliquot. Cliquot. Cliquot. What can she possibly mean, I wondered, then she briefly slowed down just enough for me to understand that it had to do with rubbish. Did the rubbish collectors expect only top quality drinks handed to them as… uh… tips…? Later Husby explained to me that she was actually saying “clicco”, because the rubbish bins, when they’re being dragged to the pick-up spot, make a click-click-click sound… Ah. Obviously.

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Heat the rich

1st September 2019

Judging by my social media and the news articles, humans finally figured out that the climate crisis is 1) real, 2) going to kill us all. Obviously “all” is an incorrect word to use, because the rich – who are causing all this – will do just fine. (The American president, for instance, didn’t attend the climate summit – he, personally, doesn’t have to – yet.) A lot of post-apocalyptic cli-fi writers probably already described the new, crispy world that neither they nor I will be a part of, because we’ll be dead. When the climate anxiety becomes overwhelming, what can we really do apart from breaking down?

I’ve been doing my best to avoid politics, but the G7 summit, Mr Trump’s latest policies, and Mr Bolsonaro’s little ego trip – “I’ll only take your money if you apologise to me” – made me realise that it’s not going to be possible anymore. Because it’s not you or me who can really make a difference. It’s the rich and the politicians they bought.

 

Individual action doesn’t solve the problem, but…

Elizabeth Rush in Business Telegraph (this article was widely reprinted around the world):

Last fall, as I landed in New Orleans, a seed of existential anxiety lodged itself deep in my gut. It was my fifth flight in just over a week. I was in the middle of a tour to promote a book on how coastal communities around the US were already responding to the climate crisis […] I could see the landscape that my air travel would play a role in diminishing – the additional CO2 in the atmosphere melting Arctic sea ice and Antarctic glaciers, causing sea levels to rise. What am I doing here? I wondered.

[…] At the end of my presentation last year in in New Orleans, an audience member asked me whether I still have hope? […] The hope I do have resides in the fact that as the climate crisis comes home to us in deeply unsettling ways – in the form of heatwaves and freak storms, wildfires, and permafrost melt, twisting the world we know into new and disturbing shapes – it is also building unlikely coalitions amongst people who might not appear to share affinities at first glance.

(I recommend reading the entire piece.)

I’ve spent a good chunk of last week in my favourite hideaway – the Magical Garden, courtesy of my two wonderful friends, G and B. But I didn’t get as relaxed as I usually would. First, G showed me a picture of the garden a few weeks ago, during a drought. (See the main photo.) The grass turned yellow. Once the weather returned to normal, whatever “normal” even is these days, most of the grass returned to life. Most. G is resigned to the fact that the next year might be the last one when the garden will actually have any grass in it.

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Cord and Nenn: an awkward interview

27th August 2019

Yours truly, a well-seasoned journalist and writer, greatly enjoyed Clayton Snyder’s River of Thieves and decided to interview the main characters, Cord and Nenn. Unfortunately some notes might have been misplaced… An awkward, unedited transcript follows.

BL: Welcome to LRSN FM! Today we have the most special guest for you: Mademoiselle Nenne du Corduroy talking about her new memoir, “Lotus on the Lake”. Uhm, mademoiselle, you can’t smoke in here. And… this… person… is, uh, your current husband, the Duke, I gather?

Cord (C): Wait. You wrote a book?
Nenn (N): I do a lot of things.
C: “Lotus on the Lake”.
N: Eh, the publisher thought it’d sell better with the Hestians.
C: Funny.
N: Why?
C: Most of them are illiterate.
N: *rolls eyes*
N: Wait. Did you say husband?
C: Why? Why would someone say that?
N: I don’t really like…
C: Penises. She doesn’t like penises.
N: Well, I was going to be more tactful, but yeah. In a nutshell.
C: *giggling*
N: Sigh. Next question.

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