Backstory

How to earn a burnout

So I went and gave myself a burnout, because I don’t learn.

I’ve sent the next Why Odin Drinks story to my editor and decided to tackle the genre that I’ve always found the most difficult: romance. I’ve done a lot of reading first, both of craft books and various sorts of other authors’ romances, noting what I did or didn’t like. I settled on sweet (nothing sexual happens on the page) m/m (it didn’t work, gay men have too many cocks to spend the night cuddling without at least one’s interest getting aroused, so it’s sweet-with-heat now). I started writing the first draft and here’s where I made the same mistake I always make: I stopped watching what I was doing.

I can, as in I am able to, work approximately three hours a day. Unfortunately, tasks that for most people are either unnoticeable or, at worst, irritating chores constitute work for me. Folding the laundry; cleaning the bathroom; cooking something more complicated than an egg; taking a shower; often simply reading. Therapy, obviously. Unfortunately writing is also on that list.

It’s escapism, I love doing it, and it exhausts my energy without me noticing, because I don’t want to notice. If you love your work, it isn’t work anymore, we all know that. So I’ve spent two weeks drafting my romance, navigating the complications and changing the plot as I went, and accidentally completing NaNoWriMo (fifty thousand words – an average romance novel clocks at 60-80 thousand) within two weeks. I wrote every day, of course – “you’re only a real writer if you write every day!” Then, to nobody’s surprise but mine, I crashed. Badly.

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Guest post: Chaos, Fidelity, and Salt

Today I am delighted to host Lyra Wolf, the author of Truth and Other Lies, The Order of Chaos, and That Good Mischief – books, in which Loki… you tell’em, Lyra!

Chaos, Fidelity, and Salt

I’ve always been fascinated by the concept of ‘opposites attract,’ and I think you would be hard pressed to find a more opposite couple than Loki and Sigyn. When I started writing my The Nine Worlds Rising series, I knew from the beginning that their relationship was one I wanted to explore, and I cracked open as many books and articles on Norse lore as I could get my hands on.

What I found was that no one really knows who they are as a couple, what their function is, or why they got paired together at all. To make matters even more tricky, we know even less about Sigyn, other than she is very good at holding bowls over people’s heads for long periods of time.

Fantastic for me. Super awesome.

How was I supposed to write a series about a relationship that seemed to hold a lot of weight and power behind it, when all that remains of the lore is essentially a slice of Swiss cheese?

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Liquid fire

Guess who this is? (Hint: it is I) Floradorp New Year’s celebration, 2013/2014.

As a kid, I was incessantly bullied. I was fat, bad at all sports, extremely introverted, wore thick glasses, I lived inside books and mixtapes I made. I was so smart I excelled at everything (but sports) but not smart enough to understand that always knowing all the answers and bragging about how I never had to study for tests didn’t make me popular. (Emotional intelligence was not strong in this one at the age of 7.) So I avoided the other boys. I was both alone and lonely most of the time, my companions being books and music, but twice a year I would be rewarded with magic.

Back in the 1980s, every worker was sent on subsidised vacations. We’d pick one out of, I don’t know, three near identical locations, and go there for two weeks, paying silly money – think €10 per day for a family of three. Certain traditions were always observed during those outings. The first evening without rain would be the “evening of friendship,” where the kids would be obnoxious together, adults would get drunk, then at some point the kids would get sent to bed.

Except me.

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No, really…

When Storytellers came out in March 2019, I kept obsessing about sales and reviews, refreshing my Amazon dashboard, checking Goodreads four times a day (HAHAHAHA more like forty). My first one-star review didn’t upset me – I knew I was bound to get one eventually and almost felt validated. I was a real, rejected author now! But, also, Storytellers was no longer my only baby and the love of my life. It quietly disconnected itself from me – I was working on my second book, Age of Fire, urban fantasy with Norse Gods in it.

I got a bit drunk on the five- and four-star reviews coming from complete strangers. They weren’t my friends or family members trying to humour me. Now all I had to do was write the next book, then the next one, and each would be better just because I was clearly really good at this.

Big mistake. Huge.

I wrote about video games, which I don’t actually play, then dumped all my knowledge of Reykjavík into it, including which supermarkets were the cheapest (Bonus) and how Icelanders socialised (in the public pools), and I felt so proud of this incredible… 

…turd.

No, really… Read More »

The True Meaning of Christmas

Guest post by Elísabet R. Viðarsdóttir

 

The Norse, with their gods and myths, sailed ashore in Iceland, the land of magical creatures both living and dead. In order to settle the island, the Norse knew they needed permission from these creatures.

The living conditions on the island were harsh, especially during the long, cold and dark winters. The only thing alive in nature was the evergreen tree. It truly was Yggdrasil, the eternal tree that holds everything together.

Crops were scarce, leaving little food for the animals. This forced the farmers to slaughter some of them and preserve the meat for winter. Thank goodness for the gods and the otherworldly beings who blessed them and helped them survive through their hardships.

December came and the farmers could finally look forward to longer days and shorter nights.

 

It was time for Winter Solstice, a time to celebrate and honor the gods for all they had done.

The farmers prepared a big feast with the leftover grains, meats, mead and wine. It was the perfect time to celebrate. It was a new season where all the good things in life begin anew with a turn towards brighter days on the Wheel of the Year.

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Is this even \”writing\”?

There are three sorts of writers. Plotters, who come up with the plot first, then write their characters to follow it. Pantsers, who kind of grip to the edge of their seat and watch what happens. And Artistés, who develop characters that become so real they refuse to do what we want them to.

Storytellers got 21 rewrites and took me 26 months to write, because I haven’t learned yet what sort of a writer I was. I had my plot, a few important characters, and multiple stick figures. When my editor said to me “the only differences between your female characters are whether they’re pregnant or not” I felt, as a noted feminist, that there was a massive challenge in front of me. But when I started giving them personality traits, they stopped doing what I wanted them to.

Guðrún no longer wanted to devote her life to being a figure in the background whose task was listening to others. She turned out to be assertive, fun, selfish, strong, and didn’t suffer fools gladly. Once she started talking and acting, the other characters needed to become alive as well. Including the fools. Mannerisms, clothes, duties, habits, attention to hygiene, attitude towards religion, neuroticism… In the meantime I had a plot, or thought so. Things kept going out of control until I figured everyone out, even characters that only appeared once for approximately 15 seconds. Only then the pile of paragraphs finally started feeling like a book.

This was my first clue that I was going to be an Artisté, but I didn’t know that yet. I just thought I had no idea what I was doing. (That was true.)

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Children: TWO WEEKS

I’m the sort of person who only really understands two dates: “sometime in the future” and “OMG”. When we went on a short outing I was working on the bonus hardcover-only story, when suddenly the realisation kicked me in the face: I didn’t have time to tinker with it at leisurely pace for the next month or two, because the book will come out in seventeen days.

Just like that, “sometime in the future” became “OMG THAT’S LIKE NOW WHY WHERE WHEN HOW”.

The release date, October 3, is set and… and I won’t say anything about it not changing, because last time I had deadlines I nearly went and actually died just so that I’d have an excuse for the delay. So it might even not change, who knows. My real fears lie somewhere else…

 

Impostor syndrome

Every good writer has the impostor syndrome. Except, obviously, I’m not a good writer at all. Everyone else is. Just not me. Storytellers was a lucky strike. Now the readers will find me out.

(I asked a writer who has 21 books out and she says that she is yet to stop feeling this way.)

Maybe I failed to give justice to the Norse lore. Or the characters. Or the… uh… weather. Or trees. Or *insert every single thing that appears in the book*. I am past the stage where I feel like I’m even bad at typing “the”, because there are three and a half sentences on those 442 pages that I know are perfect, so that only leaves everything else.

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I decided to finish \’Children\’ before the end of next week…

…then I went and almost died, which would have been a pretty good excuse had I missed the deadline, but also slightly awkward.

It’s been three days. (Good Gods. THREE. DAYS.) I’m stuck trying to process what happened. Maybe I am over-dramatising or remember some parts wrong because of the fever, I tell myself. Wait, but if I had that much of a fever… well, I didn’t really feel like I had it, so maybe it doesn’t count? Then a realisation hits me: those hours, or maybe minutes, when I thought I was falling in and out of sleep? I was falling in and out of consciousness. The stormtroopers, or whoever they were, might have been very quiet, respectful, and even kinda sad when they kept entering and flanking my bed again and again and again and again… I wonder, was it more minutes or hours? I remember I tried to look and one of them covered my watch, so I couldn’t see. Can a hallucination do that, or was I actually hallucinating my attempt to look, but I actually couldn’t move my hand?

Isn’t this the sort of thing that only happens to other people? I’ve already collected spine injuries, an impressive collection of mental health problems, how about other people take their other people stuff and leave me alone to do boring stuff like finishing books?

CW: The following contains medical talk (I took out the most gruesome bits) and me not dying. It’s also a mess representative to the state in which my mind is as well.

I decided to finish \’Children\’ before the end of next week… Read More »

No, I haven\’t learned any languages this week

I will tell you a secret: the release date I had in mind for Children of the Gods was May 28. I have booked my editor for the final pass at the end of March/beginning of April, the proofreader – first two weeks of April, I have planned to send the ARCs (advanced review copies) to reviewers around April 15-20. I even said the words of doom: “for once, I have realistic deadlines and nothing can go wrong”.

Then 2020 happened and honestly, I have not predicted that when I was setting my totes realistic deadlines.

I am writing this on May 6 [and 7 – Ed.]. I haven’t even finished chapter six (out of ten) yet. Yesterday I thought I was finished, then, a few hours later I re-read what I had written and, uh, it’s not finished. My editor has chapters 1-4. My proofreader, who is an angel, forgave me for not having sent her anything but apologies at the beginning of April. Or May. The banner on my Facebook page says ‘summer 2020’, because September 20 is still summer and I’m trying to think positive.

In the last few days some of the people I know started displaying worrying symptoms. One of them said that it felt selfish to go to a grocery store to buy wine. Another felt horrible for eating sweets all on her own. A few haven’t exercised for a week or taken a shower for three days. This makes them believe that they are practically evil. I told them not to be silly, but I’m all talk and no action – I’ve been feeling horrible about not writing fast enough, so I’ve been forcing myself to work more and faster, so now I can’t write at all. My body and brain refuse to cooperate. Every day I must nap at random times, because my mind just switches off and all I can do is scroll Twitter and click little hearts. I go to bed fully dressed, hide under a duvet and a weighted blanket, and shiver from the cold. Apparently this is normal during endless exposure to stress and anxiety that can’t be lessened by taking a holiday, because taking holidays is currently on the list of things that are even less likely to happen than me winning the lottery.

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Children of the Gods: Consent

The book is nearly ready. “Nearly” means at least two more months, as I am still finishing the second half while my editor is working on the first, then once we’re both satisfied the text will be sent to the proofreader, and only then I will really be able to announce the book’s completion. It’s been over a year so far, because I started in April 2019. (What a world we used to live in. You could shake hands and stuff.)

It is not a light, relaxing read. I’d describe it as similar to Storytellers, only darker, and with Gods and magic in it. Genre-wise I’d go with literary queer Nordic mythic sometimes-grimdark-but-mostly-not psychological a-bit-coming-of-age-but-really-not-YA sort-of-fantasy, which doesn’t appear to be an Amazon category for some reason. The tagline “it’s hard to be this good in a place this bad” is not an understatement.

There is a scene in the book that I have rewritten at least forty times by now and I’m still not 100% certain that I got it where I want it to be. I’ve had it looked at by more beta-readers than anything else I have ever written. I can see it being triggering enough that it might require a mention in the book’s description, which is why I will tell you what it is now, and continue after the skip – so, TW: it’s a sex (NOT “erotic”!) scene between a grown man and a naive fourteen year old. It’s the opposite of graphic, but very suggestive. Is it consensual? The point of the scene is to show why the boy can’t give consent, as he doesn’t even know what that is and that he is allowed to refuse it.

Click “continue reading” to continue reading…

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